While working at
Newsday, Harry started an underground magazine for audiophiles from his Victorian home in
Sea Cliff, N.Y. In the early years,
TAS accepted no advertising from manufacturers. This subjective style of audio reviewing was similar to that of
J. Gordon Holt, the founder of the audiophile magazine
Stereophile. Pearson has often stated that Holt served as the inspiration for him becoming an audio reviewer and starting
TAS. Along with Holt, Pearson developed a new language to describe what he was hearing and thus influenced a generation of audiophiles and manufacturers in their pursuit of better sound. According to
The New York Times, Pearson "laid the foundations of a philosophy and vocabulary that helped give rise to a worldwide subculture of high-end audiophiles... He wrote about recorded music with the conviction and nuance that food critics brought to haute cuisine." Beginning in the early 1990s
TAS began to experience financial and operational troubles due to mismanagement and the magazine began to struggle to fulfill subscriptions. After relinquishing control of the magazine, Pearson continued to write for
TAS in a column called
HPsWorkshop, which he published until his departure from the magazine in 2012. On August 31, 2012, Pearson quit
TAS. After leaving
TAS, Pearson co-founded an online audio journal and newsletter with his protégé Joseph Weiss, called
HPSoundings.
HPSoundings eventually folded after two years due to Pearson's declining health. == Influence ==