Of the original Gothic church, only the choir buttresses and the north wall of the
nave remain. The tower (1730) has a lantern dome of characteristic Munich type. The Neo-Baroque facade shows the use of elements borrowed from Viscardi's Trinity Church. The interior is aisled, with an
ambulatory round the choir. The nave is barrel-vaulted, with small vaults over the windows. The aisles have
groined vaulting. Among several items of art-historical interest in the church are: in the portico, to left and right of the main entrance, parts of a bronze memorial made in 1608 by
Hans Krumpper for
Duke Ferdinand of Bavaria, Infante of Spain; in the
chancel, the high altar by Nikolaus Stuber (1730), with an
altarpiece by Ulrich Loth depicting
The Effusion of the Holy Ghost (1661) and two flanking figures of angels by Johann Georg Greiff (1729); in the right aisle, a series of
wall paintings (1725) by
Peter Jacob Horemans illustrating the
Seven Gifts of the Holy Spirit; in the Kreuzkapelle, a late Gothic
crucifix (1510); and, midway along the left aisle, an altar with an allegedly miraculous image of the
Hammerthaler Madonna (15th century). == See also ==