Hein Heckroth

Heckroth was born in 1901 in Giessen, Germany. As a young man, he moved to Frankfurt, where he studied as a painter. He was deeply affected by the prevailing artistic movements of the postwar era, including Surrealism, Expressionism, and Cubism. Heckroth's career quickly skyrocketed, and, at only twenty-three years old, he began designing costumes and sets for Kurt Jooss's pioneering dance company. He achieved renown as a prolific designer of stage productions, including several performances of Jacques Offenbach's opera The Tales of Hoffmann and the original production of The Green Table. After Adolf Hitler came to power in Germany, Heckroth's Jewish wife Ada, also an artist, left for Paris with their daughter, Nandi. Heckroth joined them in 1935, and the three moved to Great Britain. There, he reestablished himself as both a painter and art designer, designing the sets and costumes for the first production of Don Giovanni at Glyndebourne in 1936 and the Kurt Weill operetta, A Kingdom for a Cow. ==Move to England and work with The Archers==

When World War II broke out, Heckroth was imprisoned by the British government as an enemy alien and shipped to Australia. His friends in the art world rallied to his defense; Read campaigned for his release, as did Michael Foot. As part of their efforts, the organized his first solo exhibition in Britain in May 1943. Their efforts were successful, and Heckroth was allowed to return to England. After his return, he designed an ambitious stage production of War and Peace which incorporated a number of filmic elements, including film projected onto the stage. The art director Vincent Korda noticed this, and he was soon recruited as the costume designer on Gabriel Pascal's Caesar and Cleopatra. Heckroth remained one of The Archers' principal collaborators for the next several years, designing their films The Small Back Room, The Elusive Pimpernel, Gone to Earth, The Tales of Hoffmann (for which he was nominated for two more Academy Awards for his art direction and costume designs), and Oh... Rosalinda!!. He also served as artistic supervisor on The Battle of the River Plate. ==Return to Germany and last years==

During the four year gap between The Tales of Hoffmann and Oh... Rosalinda!!, Heckroth returned to Germany, where he became the chief designer at the Frankfurt City Theatre. He also switched from a career in film to one in television. He invited Powell to Germany to direct the television versions of two stage productions he'd been hired to design, ''The Sorcerer's Apprentice, based on a recent ballet, and Herzog Blaubarts Burg, based on the Béla Bartók opera Duke Bluebeard's Castle''. His designs for The Red Shoes are preserved at MOMA in New York City and the British Film Institute in London. ==See also==