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Heinrich von Kleist

Bernd Heinrich Wilhelm von Kleist was a German poet, dramatist, novelist, short story writer and journalist. His best known works are the theatre plays The Prince of Homburg, Das Käthchen von Heilbronn, The Broken Jug, Amphitryon and Penthesilea, and the novellas Michael Kohlhaas and The Marquise of O. Kleist ended his life in a suicide pact by shooting himself together with a close female friend who was terminally ill.

Life
Kleist was born into the von Kleist family in Frankfurt an der Oder in the Margraviate of Brandenburg, a province of the Kingdom of Prussia. After a scanty education, he entered the Prussian Army in 1792, served in the Rhine campaign of 1796, and retired from the service in 1799 with the rank of lieutenant. He studied law, philosophy, natural sciences and Latin at the Viadrina University, and in 1800, he obtained a subordinate post in the Ministry of Finance at Berlin. In the following year, Kleist's roving restless spirit got the better of him, and procuring a lengthened leave of absence, he visited Paris, then settled in Switzerland. There, he found congenial friends in Heinrich Zschokke and (1777–1819), son of the poet Christoph Martin Wieland; and to them, he read his first drama, a gloomy tragedy, '''' (1803). In the autumn of 1802, Kleist returned to Germany; he visited Goethe, Schiller, and Wieland in Weimar, stayed for a while in Leipzig and Dresden, returned to Paris. Returning in 1804 to his post in Berlin, he transferred to the Domänenkammer (department for the administration of crown lands) at Königsberg. On a journey to Dresden in 1807, Kleist was arrested by the French as a spy; he remained a close prisoner of France in the Fort de Joux. On regaining his liberty, he proceeded to Dresden, where, in conjunction with Adam Heinrich Müller (1779–1829), he published the journal Phöbus in 1808. after renovation in 2011 addressed to his half-sister Ulrike In 1809 Kleist went to Prague, and ultimately settled in Berlin. He edited (1810/1811) the ''''. Captivated by the intellectual and musical accomplishments of the terminally-ill Henriette Vogel(de), Kleist, more disheartened and embittered than ever, agreed to do her bidding and die with her, carrying out this resolution by first shooting Vogel then himself on the shore of the Kleiner Wannsee (Little Wannsee) near Potsdam, on 21 November 1811. According to the Encyclopædia Britannica Eleventh Edition, "Kleist's whole life was filled by a restless striving after ideal and illusory happiness, and this is reflected in his work. He was by far the most important North German dramatist of the Romantic movement, and no other of the Romanticists approaches him in the energy with which he expresses patriotic indignation." A life with a plan In the spring of 1799, the 21-year-old Kleist wrote a letter to his half-sister in which he found it "incomprehensible how a human being can live without a life plan" (Lebensplan). In effect, Kleist sought and discovered an overwhelming sense of security by looking to the future with a definitive plan for his life. Marie von Kleist, the most important sponsor and confidant of Heinrich von Kleist, also made sure these rumors spread. According to the autopsy report, Vogel was suffering from cancer. On 21 November 1811 the two traveled from Berlin to Wannsee. Prior to their departure, they penned farewell letters, along with an account of the final night they spent at the inn Gasthof Stimming. Upon their arrival in the vicinity of the Wannsee in Potsdam, Kleist shot Henriette, then turned the gun on himself. They were buried together in a common grave at Kleine Wannsee (Bismarckstrasse), which became a tourist attraction. It was re-designed prior to the bi-centenary of their deaths. On that occasion, direct access from Wannsee station to the grave was built. The gravestone, erected in 1936, was rotated, and shows engraved original text written by Max Ring and the Pater Noster's request: "forgive us our guilt" as well as the names and data of Henriette Vogel and Heinrich von Kleist. == Literary works ==
Literary works
His first tragedy was The Schroffenstein Family (Die Familie Schroffenstein). The material for the second, Penthesilea (1808), queen of the Amazons, is taken from a Greek source and presents a picture of wild passion. More successful than either of these was his romantic play, Käthchen of Heilbronn (Das Käthchen von Heilbronn) (1808), a poetic drama full of medieval bustle and mystery, which retained its popularity for many years. In it he gives vent to his hatred of his country's oppressors. This, together with the drama The Prince of Homburg (Prinz Friedrich von Homburg oder die Schlacht bei Fehrbellin), which is among his best works, was first published by Ludwig Tieck in Kleist's Hinterlassene Schriften (1821). Robert Guiskard, a drama conceived on a grand plan, was left a fragment. and the novellas of the Austrian writer Friedrich Halm. He also wrote patriotic lyrics in the context of the Napoleonic Wars. Work in rhetoric Kleist's work also delved into the realm of rhetoric. Most notable for his use of error and understanding its importance, Kleist's devices used were misspeaking, misunderstanding, mistaken identities, and other confusions of the sort. In his works one can see the most prevalent use of rhetoric within Penthesilea. In the story moments of violence, seduction and war all hinge upon errors in language. Through these errors, Kleist shows how error can influence everyday situations and can be the causation of serious problems. As a sum, Kleist's use of error explores what one can make of ironic errors within speech. == Philosophical essays ==
Philosophical essays
Kleist is also famous for his essays on subjects of aesthetics and psychology which, to the closer look, show a keen insight into the metaphysical questions discussed by philosophers of his time, such as Kant, Fichte and Schelling. On the Gradual Production of Thoughts Whilst Speaking In the first of his larger essays, On the Gradual Production of Thoughts Whilst Speaking (''''), Kleist claims that most people are advised to speak only about what they already understand. Instead of talking about what you already know, Kleist admonishes his readers to speak to others with "the sensible intention of instructing yourself." In doing so, man will be able to mold his collective consciousness in a manner conducive to the principles of free will. By reflecting after the fact, man will avoid the seemingly detestable inhibitions offered in rational thought. In other words, the will to power has "its splendid source in the feelings," and thus, man must overcome his "struggle with Fate" with a balanced mixture of wisdom and passion. == Bibliography ==
Adaptations
Operas Der Prinz von Homburg (1960), composed by Hans Werner HenzeDer zerbrochne Krug (1968/69), composed by Fritz GeißlerPenthesilea (1927), composed by Othmar SchoeckPenthesilea (2015), composed by Pascal Dusapin Films Wie zwei fröhliche Luftschiffer (Like Two Merry Aeronauts, 1969), 85 min; written and directed by Jonatan Briel; DFFB Production. The film depicts the last three days of Kleist's life. With his lover, Henriette Vogel, dying of cancer, Kleist philosophizes about life and welcomes his planned suicide. • Michael Kohlhaas – der Rebell (1969), directed by Volker SchlöndorffSan Domingo (1970), directed by Hans-Jürgen SyberbergEarthquake in Chile (1975), directed by Helma Sanders-BrahmsThe Marquise of O (1976), directed by Éric Rohmer based on Kleist's Die Marquise von O • '''' (1977), directed by Helma Sanders-Brahms; about the author • Ragtime (1981), directed by Miloš Forman and based on a novel of the same title by E. L. Doctorow; contains a subplot which follows closely the story of Michael KohlhaasHeinrich Penthesilea von Kleist (1983), directed by Hans Neuenfels; intercuts rehearsals and discussions of that play • Die Familie oder Schroffenstein (1984), directed by Hans Neuenfels • Il principe di Homburg (1997), an Italian adaptation of Prinz Friedrich von Homburg oder die Schlacht bei Fehrbellin directed by Marco BellocchioThe Jack Bull (1999), directed by John Badham; loosely based on Kleist's Michael KohlhaasIl seme della discordia (2008), directed by Pappi Corsicato; a modern Italian adaptation of Kleist's Die Marquise von O • '''' (2012), a German film directed by ; loosely based on Kleist's Michael Kohlhaas. • Amour Fou (2014), directed by Jessica Hausner, nominated in the Un Certain Regard category at the Cannes Film Festival 2014, with Christian Friedel playing Heinrich and Birte Schnoeink playing Henriette. The film purports that Henriette does not in fact suffer from any type of tumour but that her symptoms have psychological causes. • Age of Uprising: The Legend of Michael Kohlhaas (2014), directed by Arnaud des Pallières; with Mads Mikkelsen as Kohlhaas == References ==
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