(1527–1604) and shows Khunrath in his laboratory. Khunrath's brushes with John Dee and Thölde and Paracelsian beliefs led him to develop a Christianized
natural magic, seeking to find the secret
prima materia that would lead man into eternal wisdom. The Christianized view that Khunrath took was framed around his commitment to
Lutheran theology. He also held that experience and observation were essential to practical alchemical research, as would a
natural philosopher. His most famous work on alchemy is the
Amphitheatrum Sapientiae Aeternae (Amphitheater of Eternal Wisdom), a work on the mystical aspects of that art, which contains the oft-seen engraving entitled "The First Stage of the Great Work", better-known as the "Alchemist's Laboratory". The book was first published at Hamburg in 1595, with four circular elaborate, hand-colored, engraved plates heightened with gold and silver which Khunrath designed and were engraved by
Paullus van der Doort. The book was then made more widely available in an expanded edition with the addition of other plates published posthumously in
Hanau in 1609.
Amphitheatrum Sapientiae Aeternae is an alchemical classic, combining both Christianity and magic. In it, Khunrath showed himself to be an adept of spiritual alchemy and illustrated the many-staged and intricate path to spiritual perfection. Khunrath's work was important in Lutheran circles.
John Warwick Montgomery has pointed out that
Johann Arndt (1555–1621), who was the influential writer of Lutheran books of pietiesm and devotion, composed a commentary on
Amphitheatrum. Some of the ideas in his works are
Kabbalistic in nature and foreshadow Rosicrucianism. == Death ==