On May 12, 1937, Traubel made her debut appearance on the opera stage, after composer
Walter Damrosch asked her to sing the role of Mary Rutledge in the world premiere of his opera
The Man Without a Country at the
Metropolitan Opera. Since the Metropolitan already had two first-class Wagnerian sopranos,
Kirsten Flagstad and
Marjorie Lawrence, Traubel at first had difficulty finding her niche at the Met. Her debut as a regular member of the company was as Sieglinde in
Die Walküre in 1939, the only standard role which she had previously sung, at the Chicago Opera. Flagstad left the US in 1941 to visit her homeland of Norway and could not return due to the war in Europe. The same year, Lawrence was stricken with polio and her career was curtailed. On February 22, 1941,
Arturo Toscanini conducted Traubel and tenor
Lauritz Melchior in excerpts from Wagnerian operas, including act 1, scene 3 of
Die Walküre on the live radio broadcast concert of the
NBC Symphony Orchestra.
RCA Victor later released recordings of excerpts from the concert, as well as a classic studio recording of Traubel in
Brünnhilde's Immolation Scene from
Götterdämmerung. Traubel later triumphed in
Tannhäuser and in
Tristan und Isolde. She was renowned for her powerful voice, which was often described as a "gleaming sword"; her endurance and purity of tone were unsurpassed, especially as Brünnhilde and Isolde. Although she longed to sing Italian opera, she never appeared in an Italian opera performance onstage, although she often included Italian arias and songs in her recital repertoire. Towards the end of her career at the Met, she added the Marschallin in Richard Strauss's
Der Rosenkavalier briefly to her repertoire. In 1948, while her Met career was at its height, US President
Harry S. Truman contracted her to act as an "advisor" to his daughter,
Margaret, who was hoping to launch a career as a classical singer. Traubel's 1959 autobiography,
St. Louis Woman, contains an account of the three years she spent in the role, and how in the end she felt it had adversely affected her stature in the music world to have her name associated with "such a musical aspirant" of questionable talent. Traubel's association with the Metropolitan Opera ended in 1953; General Manager
Rudolf Bing chose not to renew her contract after expressing disapproval of her radio and TV appearances alongside the likes of
Jimmy Durante, and her wish to expand her lucrative career in major supper and night clubs. Traubel went on to appear at the
Copacabana, as well as in many
cameo television roles. After her Met career, she appeared on Broadway in the
Rodgers and Hammerstein financial failure,
Pipe Dream, playing a bordello madame with a heart of gold and the voice of Isolde. Additionally, she appeared in the films
Deep in My Heart,
The Ladies Man and
Gunn. She also appeared opposite
Groucho Marx as Katisha in a Bell Telephone presentation in an abridged performance of
Gilbert and Sullivan's
The Mikado. Traubel's last night club appearance was with Jimmy Durante at
Harrah's Lake Tahoe in 1964. ==Personal life==