Several versions of the Hell.com website were created during Aronson's ownership of the domain. All the designs in the areas generally available to the public were simple and sparse, but employed mysterious text, purposefully difficult navigation and
javascript tricks to create an intriguing experience that suggested something deeper, and which appealed to curious visitors, hackers, and others. The site was described as "a very private and somewhat mysterious place for Net-artists to hang out and create Web-art [or Net-art, as it was called in the late 1990s], without being directly visible to the grand public." A more jaundiced view was that Aronson had simply chanced upon an available domain, and decided to use it for Web art that provoked curiosity, entertained, and "messed with the visitors' heads." A
commercial art gallery that represented Aronson stated: "Hell.com stood as an iconic example of the potential for avant-garde expression in the digital realm. It is remembered as a piece of internet history that symbolized an era of online creativity and mystery." There was certainly much speculation over the site's purpose, which was further fuelled by Aronson's public statements. In an interview with
the New York Times in 1998 he suggested Hell.com was "a vast creative project that exists in a secret online location, a private digital environment assembled over the past year by 50 new media artists who continue to collaborate on its chaotic shape and ever-changing content. ''"The concept was to create the Web as I'd like it to be, something that's fascinating, exciting, dangerous, interesting...a parallel Web"'' A sub-domain of Hell.com, bat.hell.com stated: It was surmised that Hell.com's members, at least partially, were creative designers specialising in creating sites like Hell.com which were abstract, dark, intractable, and mysterious. At least four projects ran on Hell.com: (e.g. "surface" and "HL2"), where members anonymously collaborated in their creation. The end-results were non-informative webpages like Hell.com's for people's viewing pleasure (HL2 apparently took 90 minutes to explore). However these creative projects seemed to be only one facet of the larger Hell.com group. Aronson also sold @hell.com email addresses through the site.
Layouts In 1994-1995 - Hell.com only displayed a warning that you were not invited and to go away. In 1996 - Hell.com displayed a blank black page with a single small red link in the center called 'that'. In the original design, the index page featured a random
aphorism in place of the logo. The aphorism took a visitor to a page that consisted of three links: • "no access"Featured a black background with the Hell.com logo (a white circle with an arrow pointing down in its centre) • Payment pageThis was a set of a few pages whereby, after several warnings that the payment is real, the user could fill out a form to donate for a range of amount options from $10 to $10000, and which later changed to $20, $200 or $2000. • "search"Added on February 8, 2006, this link lead to the Search Page (see below) • Search pageContained a seemingly normal
Google search box; however, certain "keywords" typed in the box took the user to other pages. Known "keywords" were: •
redemptionLinked to the Questions Page •
hellLinked to the Links Page •
answerThis link first led to a picture of a bald, naked woman falling through darkness. Soon after that, the link sent the user to a "sister site" called cygne-noir.com . It was mostly in the same format of Hell.com and acted as a portfolio for
Kenneth Aronson. The portfolio described Aronson as "
A conceptual artist who uses photography as part of his process. His digital work has been featured at The Brooklyn Academy of Music, The Absolut LA international, Robert Berman Gallery, Montreal International Film Festival, as well as exhibitions in the UK, France, Italy, Spain, Korea, and Mexico." According to Aronson's personal site, he is the "CEO/ Founder of this parallel network/ [Hell.com] which is considered the enigma of the web", further backing up the notion that Hell.com is
net.art. • In 2010 - Hell.com featured the original logo, which lead to similar page with the seemingly holographic logo coded in Flash, and random red dots that played tones when overshaded with the mouse. At the bottom of this page was a login feature to the site that included a redirect to the hell.com search page if the user either incorrectly inputted a login id, or simply waited too long • In 2011 - the domain is disabled with a blank (white screen) with no detectable links. • Later in 2011, this web ID redirects one to The Gospel Media Network, a Christian religious site.
Subdomain Bat. Hell.com BAT was described as the "creative thinktank" of Hell.com. It claimed to excel in "simple effective solutions", "alternative perspectives" and "extreme ideas". As well, under the title "INVISIBLE", BAT stated that it worked "confidentially as a mercenary resource", apparently for "leading advertising, communications, and technology companies."
Final.org On Aronson's Portfolio's "cultural" page, a link to the site has been made under the link to Hell.com, being labeled as "overview." In May 2006, the layout of Hell.com's index page had similarities to Final.org's. They both take on the same structure of word layouts and both share a white background. Moreover, the logo-file of Hell.com is hosted at final.org, which can be seen if one uses the 'view source' option of one's browser. ==Art Events==