Cheylesmore was a significant art collector, mainly of contemporary British painting. The star of his collection, and his posthumous sale at
Christie's in May 1892 (lot numbers and prices realized noted), was undoubtedly
The Monarch of the Glen (lot 42, £7,245) by Sir
Edwin Landseer, one of the most popular paintings of the age. Altogether 31 of the 86 lots were by Landseer, many bought at his studio sale in 1874. Other artists with several works included
William Powell Frith, lots 19–21, the Biblical
Orientalist Frederick Goodall, lots 22–28,
David Roberts, lots 71–73, and the American sculptor
Hiram Powers, with three busts as lots 84–86. Though the
Monarch, which in 1916 passed into company ownership for exploiting in advertising, was perhaps too expensive, his son William bought back four paintings which he bequeathed to the
National Gallery, London in 1902. These included two of the next most expensive works,
The Execution of Lady Jane Grey (1833) by
Paul Delaroche (lot 78, £1,575), and
Cromer Sands by
William Collins (lot 15, £2,205). and the second most expensive painting in the sale was ''Saint Michael's Mount, The Morning after the Storm
, by Clarkson Frederick Stanfield (lot 74, £3,150). Five other Landseers fetched between £892 and £1,680, this for lot 60, Flood in the Highlands'', also in his son's bequest but refused by the National Gallery, and now
Aberdeen Art Gallery. An 1869 window in the Parish Church of St. Michael, Coventry, depicting the life of
Solomon, was the gift of Eaton. As
Coventry Cathedral, the church was destroyed in
World War II. Eaton also donated land at Cheylesmore for the church's vicarage, in 1871. ==Family and death==