In 1793, Sargent went to
London, where he studied with
Benjamin West and had courteous treatment from
John Singleton Copley. A letter of Sargent's dated March 27, 1795 shows that he found living in London expensive and the painter's profession much depressed. He returned to Boston in 1799, still strongly conscious of "the apathy then existing towards the arts".
Public service After his return to Boston in 1799, he took a commission in the
national army then being raised under the command of
Alexander Hamilton. This service was brief, but it gave Sargent a taste for military life which motivated his long connection with the Massachusetts militia. In or shortly after 1799, he joined the Boston Light Infantry, which had been organized the year before and of which his brother, Daniel Sargent, was captain. Records of the adjutant-general's office in the
Massachusetts State House show that Henry Sargent became first lieutenant of this company on October 1, 1804, and captain on March 31, 1807. Of a tall, thin,
Yankee build, he was a handsome officer and an efficient drill master. During the
War of 1812, his company aided in the fortification of Fort Strong, and on May 31, 1815, he was appointed aide-de-camp to the governor, with the rank of Colonel. In 1812, 1815, 1816, and 1817 he was a member of the
Massachusetts Senate.
Later career In the course of the following decade, growing
deafness caused him gradually to withdraw from public services and to devote himself entirely to his painting and to mechanical inventions. He developed a plan for an elevated railway, The well-known
Landing of the Pilgrims, at
Pilgrim Hall,
Plymouth, attributed to him, is not representative of his best work. Far better are the two conversation pieces,
The Dinner Party (
ca. 1821) and
The Tea Party (
ca. 1824), owned by the
Museum of Fine Arts, Boston. These have something of the exquisiteness of the so-called Little Dutchmen and they give fascinating glimpses of social life in Boston homes of the early 19th century. An altar painting,
The Christ Crucified, which Sargent made for the
Holy Cross Church, Boston, won contemporary favor. The full-length portrait of
Peter Faneuil, in
Faneuil Hall, if by Sargent, to whom it is ascribed, must be a copy after
John Smibert. Sargent's self-portrait is at the Museum of Fine Arts; his likenesses of Jeremy Belknap,
D.D., and John Clarke, D.D., both friends of his parents, are at the
Massachusetts Historical Society. Continuing to paint at intervals down into old age, he was elected in 1840 an honorary member of the
National Academy of Design and in 1845, president of the newly organized
Boston Artists' Association. ==Personal life==