The
Anglo-Saxon Chronicle records the defeat of the
Kingdom of East Anglia and killing of King Edmund (the Martyr) by a Viking army in 869, but almost nothing survives giving information about his life and reign apart from some coins in his name. Between about 890 and 910 the Danish rulers of East Anglia, who had recently converted to Christianity, issued a coinage commemorating Edmund as a saint, and in the early tenth century his remains were
translated to what was to become Bury St Edmunds Abbey. The first known
hagiography of Edmund was
Abbo of Fleury's
Life of St Edmund in the late tenth century and the second was by Herman. Edmund was a patron saint of the English people and kings, and a popular saint in the
Middle Ages. Herman's historical significance in the view of historians lies in the
Miracles of St Edmund (), his hagiography of King Edmund. His ultimate aim in this work, according to Licence, "was to validate belief in the power of God and St Edmund", but it was also a work of history, using the
Anglo-Saxon Chronicle to provide a basic structure and covering not only Edmund's miracles but also the history of the abbey and good deeds of kings and bishops. The
Miracles was intended for an erudite audience with an advanced knowledge of Latin. Like other writers of his time, he collected rare words, but his choice of vocabulary was unique. Licence comments that he employed "a convoluted style and recherché vocabulary, which included
Grecisms, archaisms and neologisms... Herman's penchant for odd vernacular proverbs, dark humour and comically paradoxical metaphors such as 'the anchor of disbelief', 'the knot of slackness', 'the burden of laziness', and 'trusting to injustice' is evident throughout his work." His style was "mannerist", in the sense of "that tendency or approach in which the author says things 'not normally, but abnormally', to surprise, astonish, and dazzle the audience". His writing was influenced by Christian and classical sources and he could translate a vernacular text into accurate and poetic Latin: Licence observes that "his inner
Ciceronian was at peace with his inner Christian". Summarising the
Miracles, Licence says: Herman may have written the first half, covering the period up to the
Conquest, around 1070, but it is more likely that the whole work was written in the reign of
King William II (1087–1100). Herman's original text in his own hand does not survive, but a shorter version forms part of a book which covers the official biography of the abbey's patron saint. As Herman clearly intended, the book is composed of Abbo's
Life followed by the
Miracles. It is a luxury product dating to around 1100. This version has some blank spaces and the final miracle stops in the middle of a sentence, indicating that the copying ceased abruptly. A manuscript dating to 1377 includes seven miracles assigned by the scribe to Herman which are not in the
Miracles, and they are probably the stories which were intended for the blank spaces. Two copies survive of a version produced shortly after Herman's death which leaves out the historical sections and only includes the miracles. Another revised version of the
Miracles (illustrated above) was written around 1100 and survives in a manuscript dating to the 1120s or 1130s. It is attributed by Licence to the hagiographer and musician
Goscelin, who is not recorded after 1106.
Herbert de Losinga, who was Bishop of East Anglia from 1091 to 1119, renewed Herfast's campaign to bring St Edmunds under episcopal control, against the opposition of Baldwin and his supporters, including Herman. The dispute continued after the deaths of Baldwin and Herman in the late 1090s, but like Herfast, Herbert was ultimately unsuccessful. Baldwin's death was followed by a battle over the appointment of a new abbot. Goscelin's text attacks Herbert's enemies, including Herman, and emphasises the role of bishops in Bury's history. The version was probably commissioned by Herbert. Herbert had bought the bishopric of East Anglia for himself, and the abbacy of
New Minster, Winchester, for his father, from William II, and the father and son were attacked in an anonymous satire in fifty
hexameters,
On the Heresy Simony. Licence argues that Herman, who compared Herbert to Satan in the
Miracles, was the author of the satire. The three versions of the
Miracles, together with the additional seven miracles and
On the Heresy Simony, are printed and translated by Licence. ==Controversy over authorship==