Vezin was born in
Philadelphia, Pennsylvania, the son of Charles Henri/Carl Heinrich Vezin (1782–1853), a German merchant of French heritage, and his wife Emilie, née Kalinsky (1804–1858). His great-great-grandfather Pierre (de) Vezin (1654-1727) was married on the 14th August 1689 in
Hanover to the seventeenth-century French actress Marie Charlotte Pâtissier de Châteauneuf (1672-1729).
Rouget de Lisle, the composer of the French national anthem, "
La Marseillaise," was one of his distant cousins. After studying law for several years, Vezin graduated from the
University of Pennsylvania with an A.B. in 1847 and later a master's degree in 1850. Despite resistance from his family, Vezin was determined to work as an actor and departed America for the UK shortly after graduation. He made his first appearance at the
York Theatre Royal in
St Leonard's Place, York, England. After playing minor roles in several provincial engagements, he began performing leading characters as Cardinal Richelieu, Sir Edward Mortimer, Claude Melnotte, and Young Norval. He made his London début in 1852 at the
Princess's Theatre. On February 21, 1863, at St Peter's Church, Eaton Square, he married the former child actress, English-born Jane Elizabeth Thompson who, appearing as an adult under the name Mrs. Charles Young, had made a reputation as an actress both in Australia and in England. They appeared in many plays with together until her death in 1902. Together they had a son, the silent film actor, Arthur Vezin. 's ''
Dan'l Druce, Blacksmith'' (1876) Apart from a brief professional tour of the United States in 1857–58, the majority of Vezin's acting career took place on the English stage. Though primarily an actor, in 1866 he collaborated with the playwrights
W. G. Wills and
James Albery to write the vaudeville inspired play
Doctor Davey based on the 1842 play
Le Docteur Robin by French writer
Jules de Prémaray in which he also played the title role. The following year he starred as a troubled Scottish poet James Harebell in Wills' ''Man o' Airlie
(1867) to overwhelmingly positive reviews. Vezin followed up with other successful showings, such as The Turn of the Tide
by F. C. Burnand (1869), Son of the Soil
(1872); As You Like It'' (1875); and
W. S. Gilbert's ''
Dan'l Druce, Blacksmith'', which ran for one hundred and nineteen performances at the
Haymarket Theatre (1876, also a revival in 1884); He acted with
Charles Fechter,
Samuel Phelps,
Henry Irving, and in 1878 played Dr. Primrose alongside actress
Ellen Terry in Wills'
Olivia, Vicar of Wakefield (1878), a highly successful adaptation of
Oliver Goldsmith's novel,
The Vicar of Wakefield (1766). Sir J. Forbes-Robertson described Vezin in the
London Post as a "bright and dapper little man, who was both "learned and dictatorial on the art of acting." The
Illustrated London News review of Vezin in the title role of ''Dan'l Druce, Blacksmith'' noted that "Mr. Vezin is probably the most intellectual of our actors, and is the very man for creating an original part, such as that of Dan'l Druce" and described one scene as "an acting hit by Mr. Hermann Vezin which literally electrified the house." He was one of
W. S. Gilbert's favourite actors. and, besides the aforementioned ''Dan'l Druce, Blacksmith'', he also starred in Gilbert's ''
Randall's Thumb'', (1871), A benefit matinee was held for Vezin at the Haymarket Theatre on March 19, 1896. For this,
George Grossmith gave a sketch, and play scenes featured
Gerald du Maurier,
Herbert Beerbohm Tree and
Cyril Maude, among others. Vezin continued to act, appearing in
The Happy Life in 1897 and as Rowley in
The School for Scandal opposite Herbert Beerbohm Tree in 1909. In his declining years, Vezin appear infrequently on the stage, rather spending most of his time giving lessons to aspiring thespians, including the actors
Herbert Beerbohm Tree,
Baliol Holloway and
Frank Benson as well as the actress
Mary Mannering. He also dedicated himself to appearances at recitals and play readings. His last stage role was Old Rowley in Tree's production of playwright
Richard Sheridan's The School for Scandal at
His Majesty's Theatre in Scotland, in April 1909. He had been active on the British stage for nearly sixty years, and had been a resident of London, where he died at his home, 10 Lancaster Place, Strand, on June 12, 1910. His body was cremated at Golders Green and his ashes were scattered. ==References==