His
Crónica de los Reyes Católicos, was wrongly ascribed in the first printed edition (1545) to
Antonio de Nebrija, who had composed a Latin history based on Pulgar's manuscript. This work is commonly supposed to be propaganda for his patrons,
Catholic Monarchs of Spain Queen Isabella and King Ferdinand. Nevertheless, it has been argued that it is often critical of their policies and admonitory in its insistence that monarchs need to respect moral and spiritual ideals. Pulgar's
Claros varones de Castilla (1486), a series of portraits of eminent nobles, ecclesiastics, and men of learning, provides interesting insights into the court of Henry IV. These portraits were published together with Pulgar's
Letras (Burgos, 1486), a body of epistolary work composed of 32 letters directed to both well-known and anonymous correspondents. This epistolary is one of few
15th century collections composed in a Romance language and are an example of
Humanistic prose of the
Renaissance. Pulgar also composed a gloss (ca. 1485) on the
''Coplas de Mingo Revulgo'', a work attributed to either
Iñigo de Mendoza or Pulgar's brother. ==References==