First marriage After her father had gone bankrupt in an attempt to invest in
Halifax, Nova Scotia, Hester married the rich brewer
Henry Thrale on 11 October 1763, at
St Anne's Chapel, Soho, London. They had twelve children, of whom only four survived to adulthood, and lived at
Streatham Park. However, the marriage was often strained: her husband frequently felt slighted by members of the court and may well have married to improve his social status. The Thrales' eldest daughter,
Hester, became a viscountess as the wife of
George Elphinstone, 1st Viscount Keith. After her marriage, Thrale was free to associate with whom she pleased. Due to her husband's financial status, she was able to enter London society, as a result of which she met
Samuel Johnson,
James Boswell, Bishop
Thomas Percy,
Oliver Goldsmith, and other literary figures, including the young
Frances Burney, whom she took with her to
Gay Street,
Bath. In July 1774 Johnson visited Wales in Thrale's company, during which time they visited Hester's uncle
Sir Lynch Cotton at
Combermere in Denbighshire. Frances, the wife of Sir Lynch's son
Robert, "found Johnson, despite his rudeness, at times delightful, having a manner peculiar to himself in relating anecdotes that could not fail to attract old and young. Her impression was that Thrale was very vexatious in wishing to engross all his attention, which annoyed him much." Johnson wrote two verses for Thrale in 1775, the first to celebrate her 35th birthday, and another in Latin to honour her.
Frances Burney, in her diary, describes the conversations at several of Thrale's soirées, including one in 1779 about a young woman named Sophy Streatfeild (1755–1835), a daughter of
Henry Streatfeild, who was a favourite of Johnson and Mr Thrale, rather to the chagrin of Hester, who commented that Sophy "had a power of captivation that was irresistible ... her beauty joined to her softness, her caressing manners, her tearful eyes, and alluring looks, would insinuate her into the heart of any man she thought worth attacking." The touch of jealousy here is further revealed in Thrale's remarking (after another of her male guests had professed devotion to Miss Streatfeild and the desire to "soothe" her): "I would ensure her power of crying herself into any of your hearts she pleased. I made her cry to Miss Burney, to show how beautiful she looked in tears" and (on being rebuked about this) "Oh but she liked it ... Miss Burney would have run away but she came forward on purpose to show herself. Sophy Streatfeild is never happier than when tears trickle down from her fine eyes in company." The Thrales were in Bath in 1780 at the time of the
Gordon Riots, when a Roman Catholic chapel was set on fire, although the greater worry for them was whether Thrale's brewery in
Southwark would escape being ransacked, which it narrowly did. Burney records Thrale's distress on losing her husband (4 April 1781), referring to her as "sweet Mrs. Thrale" and sympathising with the "agitation" she was under in having to sell the brewery and wind up his affairs. Burney was there to congratulate and cheer Thrale when the business was concluded. At this time, 1781, Thrale was socialising with
Whig members of parliament such as
William Smith, the
abolitionist,
Benjamin Vaughan and writers, including
Helen Maria Williams and
Anna Laetitia Barbauld at Southhampton Row in
Bloomsbury, London.
Second marriage During the ensuing years, Thrale fell in love with Gabriel Mario Piozzi, an Italian music teacher who had taught the Thrales' children, and married him on 25 July 1784. She complained: "I see the English newspapers are full of gross Insolence towards me", with one commenting how Thrale could not have imagined "his wife's disgrace, by eventually raising an obscure and penniless Fiddler into sudden Wealth." This caused a rift with Johnson, which was only perfunctorily mended shortly before his death. The levelling marriage also earned her the disapproval of Burney (who would herself marry in 1793 the impoverished, Catholic émigré Alexandre D'Arblay) and her cousins the
Cottons. Thrale and Piozzi subsequently left England to travel in Europe for three years, especially in Italy and often following traditional routes of the Grand Tour. Thrale retired to
Brynbella, a newly built
country house on her
Bach y Graig estate in the
Vale of Clwyd, near
Tremeirchion in north Wales in 1795.
Written works After Johnson's death, she published
Anecdotes of the Late Samuel Johnson (1786) and their letters to each other (1788). Frances Burney, who considered both Johnson and Thrale to be among her dearest friends, read the unpublished manuscript with much interest, but disapproved of the decision to publish, noting, "She has given all – every word – and thinks that, perhaps, a justice to Dr Johnson, which, in fact, is the greatest injury to his memory." Together with Thrale's diaries, which were known as
Thraliana and not published until 1942, these sources help to fill out the picture of Johnson often presented in Boswell's
Life of Samuel Johnson. Johnson often stayed with the Thrale household and had his own room above the library at Streatham, in which he worked. The friendship between Johnson and Thrale was emotionally intimate, and after her husband died in 1781 "Johnson's circle took it for granted that he would marry Hester." Based upon two letters Johnson wrote to Thrale in French and a passage in Thrale's
Anecdotes of the Late Samuel Johnson, Thrale's biographer Ian McIntyre and Johnson's biographers Peter Martin and Jeffrey Meyers have suggested that Thrale and Johnson had a
sadomasochistic relationship in which Thrale whipped Johnson. Thrale also wrote
Observations and Reflections made in the Course of a Journey through France, Italy, and Germany (1789), which describes her travels during her honeymoon with Piozzi. The book mostly focuses on their travel in Italy. Notably, it was one of the first travelogues written by a British woman that was written in prose rather than in letters. Although there was only one edition, it was famous enough that
Queen Charlotte read it. She was also the author of two plays, both unproduced. was an attempt at a
popular history of that period, but was not received well by critics, some of whom patently resented female intrusion into what was then the male preserve of history. Reviewers also coupled sexism with ageism in dismissing her work. One reviewer called it "a series of dreams by an old lady." According to the
Oxford Dictionary of National Biography, "it has since been seen as a
feminist history, concerned to show changes in manners and mores in so far as they affected women; it has also been judged to anticipate Marxian history in its keen apprehension of
reification: 'machines imitated mortals to unhoped perfection, and men found out they were themselves machines. ==Death and legacy==