Until the 1970s, most tobacco advertising was legal in the United States and most European nations. In the 1940s and 50s, tobacco was a major radio sponsor; in the 1950s and 60s, they became predominantly involved in television. In 1964, after facing much pressure from the public, The Cigarette Advertising Code was created by the tobacco companies, which prohibited advertising directed to youth. Advertising continued to use celebrities and famous athletes. Popular comedian
Bob Hope was used to advertise for cigarette companies. The African-American magazine
Ebony often used athletes to advertise major cigarette brands. The nicotine industry also promoted
"modified risk" nicotine products, falsely
implied to be less harmful, such as roasted, "
filter",
menthol, and
ventilated ("light") cigarettes. These products were used to discourage quitting, by offering unwilling smokers an alternative to quitting, and implying that using the alternate product would reduce the hazards of smoking. Initially, efforts were made to develop filters that actually reduced harms; as it became obvious that this was not economically possible, filters were instead designed to turn brown with use. Light cigarettes became so popular that, as of 2004, half of American smokers preferred them over regular cigarettes, According to The Federal Government's National Cancer Institute (NCI), light cigarettes provide no benefit to smokers' health. There is no evidence that menthol cigarettes are healthier, but there is evidence that they are somewhat easier to become addicted to and harder to quit. Tobacco companies supported civil rights organizations, and advertised their support heavily. Industry motives were, according to their public statements, to support civil rights causes; according to an independent review of internal tobacco industry documents, they were "to increase African American tobacco use, to use African Americans as a frontline force to defend industry policy positions, and to defuse tobacco control efforts". There had been internal resistance to tobacco sponsorship, and some organizations are now rejecting nicotine funding as a matter of policy. Race-specific advertising
exacerbated small (a few percent) racial differences in menthol cigarette product preferences into large (tens of percent) ones. Menthol cigarettes are somewhat more addictive, and it has been argued that race-specific marketing for a more addictive product is a social injustice. Despite it being illegal at the time, tobacco marketers gave out free cigarette samples to children in black neighbourhoods in the U.S. Similar practices continue in parts of the world; a 2016 study found over 12% of South African students had been given free cigarettes by tobacco company representative, with lower rates in five other subsaharan countries. Worldwide, 1 in 10 children had been offered free cigarettes by a tobacco company representative, according to a 2000-2007 survey. ) denied health effects In 1954, tobacco companies ran the ad "
A Frank Statement." The ad was the first in a
disinformation campaign, disputing reports that smoking cigarettes could cause lung cancer and had other dangerous health effects. It also referred to "research of recent years", A 1953 industry document claims that the survey brand preference among doctors was done on doctors entering a conference, and asked (among a great many camouflage questions) what brand they had on them; marketers had previously placed packs of their Camels in doctors' hotel rooms before the doctors arrived, which probably biassed the results. In 1964,
Smoking and Health: Report of the Advisory Committee to the Surgeon General of the Public Health Service was published. It was based on over 7,000 scientific articles that linked tobacco use with cancer and other diseases. This report led to laws requiring warning labels on tobacco products and to restrictions on tobacco advertisements. As these began to come into force, tobacco marketing became more subtle (for instance, the
Joe Camel campaign resulted in increased awareness and uptake of smoking among children). However, restrictions did have an effect on adult quit rates, with its use declining to the point that by 2004, nearly half of all Americans who had ever smoked had quit.
Reaching the Black market in the United States Historian Keith Wailoo argues the cigarette industry targeted a new market in the black audience starting in the 1960s. It took advantage of several converging trends. First was the increased national attention on the dangers of lung cancer. Cigarette companies took the initiative in fighting back. they developed menthol-flavored brands like Kool, which seemed to be more soothing to the throat, and advertised these as good for your health. A second trend was the Federal ban on tobacco advertising on radio and television. There was no ban on advertising in the print media, so the industry responded by large scale advertising in Black newspapers and magazines. They erected billboards in inner city neighborhoods. The third trend was the
civil rights movement of the 1960s.
Big Tobacco responded by investing heavily in the Civil Rights Movement, winning the gratitude of many national and local leaders. Menthol flavored cigarette brands systematically sponsored local events in the black community, and subsidized major black organizations especially the
NAACP (National Association for the Advancement of Colored People). They also subsidized many churches and schools. The marketing initiative was a success as the rate of smoking in the black community grew, while it declined among whites, Furthermore three out of four black smokers purchased menthol cigarettes. == Post-advertising-restrictions; 1970 and later ==