Box office The Hitch-Hiker premiered in Boston on March 20, 1953, to little fanfare and immediately went into general release. The
New York Daily News gave the film three and a half of four stars, saying Lupino made "good and exciting use" of the real-life incident.
The New York Times called the film an "unrelenting but superficial study of abnormal psychology coupled with standard chase melodrama". Critic
A. H. Weiler complimented the performances and Lupino's "brisk direction", but criticized the plot as excessively predictable.
The Detroit Free Press said that the film performed a public service by warning motorists about the dangers of picking up hitchhikers. In 1992, critics Bob Porfiero and Alain Silver praised Lupino's use of shooting locations. They wrote, "
The Hitch-Hikers desert locale, although not so graphically dark as a cityscape at night, isolates the protagonists in a milieu as uninviting and potentially deadly as any in
film noir." In 2008
Time Out Film Guide wrote of the film, Absolutely assured in her creation of the bleak, noir atmosphere – whether in the claustrophobic confines of the car, or lost in the arid expanses of the desert – Lupino never relaxes the tension for one moment. Yet her emotional sensitivity is also upfront: charting the changes in the menaced men's relationship as they bicker about how to deal with their captor, stressing that only through friendship can they survive. Taut, tough, and entirely without macho-glorification, it's a gem, with first-class performances from its three protagonists, deftly characterised without resort to cliché. In January 2014, a restored 35mm print was premiered by the Film Noir Foundation at Noir City 12 at the
Castro Theatre in San Francisco. On April 6, 2014
The Hitch-Hiker was shown again at the
Egyptian Theatre in Hollywood. Mary Ann Anderson author of
The Making of The Hitch-Hiker appeared at this event. As of 2021 held a 93% approval rating on
Rotten Tomatoes, based on 43 reviews. ==See also==