In a review in
The New York Times,
Flynn Berry commented that "when Holly appears on the page, you never have the sense of an author pulling her strings. Her decisions feel genuine, like Holly herself is running the show. ... Her presence balances the new novel's darkness. And there is quite a lot of darkness." David Pitt for
Booklist wrote, "In her new leading role, Holly shines. She's tough, relentless, and compassionate while at the same time being vulnerable and prone to lapses of confidence. The story is the kind of thing King excels at, too—dark, mysterious, and deeply unsettling. This is the novel Holly deserves."
Kirkus Reviews assessed the novel as catering mostly to loyal fans of King, but also criticized the novel's pacing, King's language and his "creaky" cultural references.
Kirkus also felt the novel failed to deliver the pleasures of a mystery novel, writing, "Waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable." Writer and columnist
Kat Rosenfield was also heavily critical of
Holly, calling King a "boomer" and expressing irritation at King's self-insertion of his own political views into the Holly Gibney character. King responded to the criticism in an interview for
Rolling Stone, claiming that he had anticipated that some readers would be annoyed by the political views expressed in
Holly, stating, "I think that a lot of people — particularly people on the other side of the COVID issue and the Trump issue — are going to give it one-star reviews on
Amazon. But all I can say to those people is, 'Knock yourself out'." ==Television adaptation==