• "Pioneers"The evolution of film from penny arcade curiosity to art form, from what was considered the first plot-driven film,
The Great Train Robbery, through to
The Birth of a Nation, films showing the power of the medium. Early Technicolor footage, along with other color technologies, are also featured. Interviews include
Lillian Gish, Jackie Coogan and King Vidor. • "In the Beginning"Hollywood is transformed from a peaceful village with dusty streets and lemon groves to the birthplace of the industry in California. Silent film transcends international boundaries to become a worldwide phenomenon. Interviews include
Henry King,
Agnes de Mille, and
Lillian Gish. • "Single Beds and Double Standards"Fast success in Hollywood brings a cavalier party lifestyle, which led to shocking scandals such as
Roscoe "Fatty" Arbuckle's trial and subsequent acquittal for manslaughter. To tone down the image of Hollywood and curtail films with footage unsuitable to all audiences,
Will H. Hays is appointed and introduces Hollywood's self regulated
Production Code, which would be enforced well into the 1960s, while filmmakers still found creative ways to present 'adult' situations. Interviews include King Vidor and
Gloria Swanson. • "Hollywood Goes to War"The outbreak of World War I provides Hollywood with a successful source for plots and profits. Peacetime curtails the release of war movies, until the release of King Vidor's
The Big Parade in 1925.
Wings (1927) earns the first
Academy Award for Best Picture. As movies transition to sound, Universal releases
Lewis Milestone's
All Quiet on the Western Front, showing the German side of the conflict, becoming a powerful statement of war by the generation that fought it. Interviews include
Douglas Fairbanks, Jr., King Vidor,
Blanche Sweet and Lillian Gish. • "Hazard of the Game"Silent films are often remembered for slapstick gags and dangerous stunts. Stuntmen took anonymous credit for very little pay and could not reveal their involvement. Stuntmen
Yakima Canutt,
Harvey Parry, Bob Rose and Paul Malvern tell hair-raising and humorous stories, and reveal the secrets behind many famous stunts. • "Swanson & Valentino"Two of the great romantic legends of the silent screen are profiled.
Rudolph Valentino's on-screen persona is remarkably different from his real personal life, as recounted by his brother, Alberto, and Gloria Swanson recalls her meteoric riseand fallwith remarkable candor. • "Autocrats"Two of Hollywood's greatest directors,
Cecil B. DeMille and
Erich von Stroheim. One worked with the Hollywood system, the other against it. DeMille's pictures, lavish in detail and cost, made his studio a fortune, while Von Stroheim's similar ways, albeit to excess in footage and expense, resulted in films that were often either excessively cut by the studios or never released, leading to him being fired on several occasions. Interviews include Agnes DeMille, Gloria Swanson,
Allen Dwan, and Henry King. • "ComedyA Serious Business"Hollywood learned very early how to make people laugh. Comedy was king, and battling for the throne were stars like
Harold Lloyd,
Buster Keaton,
Harry Langdon and
Charlie Chaplin. In a purely visual medium, their comedy was a work of genius. Interviews include Hal Roach, Sr., Jackie Coogan,
Buster Keaton (archival) and
Harold Lloyd (archival.) • "Out West"'The Old West' was still in existence in the silent days. Old cowboys and outlaws relived their youth, and got paid for doing it, by working in films. The 'western craze' really begins with stars like
William S. Hart,
Harry Carey and
Tom Mix. Interviews include Yakima Canutt, Colonel Tim McCoy,
Harvey Parry and
John Wayne. • "The Man with the Megaphone"Silent film directors were flamboyant pioneers, making up their technique as they went along. Filming 'indoor' sets on open outdoor lots and combating the elements, communicating with actors in spite of overwhelming distraction and deafening noise, directors (male
and female) fashion great films out of chaos and confusion. Interviews include
Bessie Love,
Janet Gaynor and King Vidor. • "Trick of the Light"Skilled cameramen had the ability to turn an actress into a screen goddess, and were valuable assets to studios and stars. With the aid of art directors, they achieved some of the most amazing and dangerous sequences captured on film, pioneering photography effects used through the remainder of the 20th century. Interviews include
William Wyler and Lillian Gish. • "Star Treatment"Producers discovered the effect of 'star power' on their box office bottom line. Creating Hollywood stars becomes its own industry, resulting in the Hollywood Star System, from which came
Clara Bow,
Greta Garbo, and
John Gilbert, successor to Rudolph Valentino as "The Great Lover". But as easily as they made them, studios could break them. Interviews include
Charles "Buddy" Rogers,
Louise Brooks and King Vidor. • "End of an Era"Silent films had universal appeal, simply by replacing intertitles and dialogue cards for the foreign markets. Sound film was experimented with in many forms since the 1890s, but did not become commercially successful until
The Jazz Singer in 1927. Hollywood movie making was transformed and ultimately shattered, taking the careers of many silent film stars, directors and producers with it, victims of the emerging technology. Interviews include Lillian Gish,
Mary Astor, Janet Gaynor, George Cukor and
Frank Capra, Sr. == Films featured in
Hollywood ==