David Browne, writing in
Entertainment Weekly, described the "playful, hip-hopping ambient techno" and said
Homework was "ideal disco for androids".
Robert Christgau of
The Village Voice identified "Da Funk" as a "choice cut", indicating "a good song on an album that isn't worth your time or money". Sal Cinquemani of
Slant Magazine wrote that "while a few tracks are more daft than deft", "Da Funk" had inspired acts such as
the Avalanches. In the 2004
Rolling Stone Album Guide,
Douglas Wolk awarded
Homework three out of five, writing that "the duo's essential, career-defining insight is that the problem with disco the first time around was not that it was stupid but that it was not stupid enough". In the 2005 book
1001 Albums You Must Hear Before You Die, Alex Rayner wrote that
Homework tied established club styles to the "burgeoning eclecticism" of
big beat, and demonstrated that "there was more to dance music than pills and keyboard presets". Ian Mathers of
Stylus Magazine wrote: "There's a core of unimpeachably classic work on
Homework, hidden among the merely good, and when you've got such a classic debut hidden in the outlines of the epic slouch of their debut, it's hard not to get frustrated." In 2009, Brian Linder of
IGN said
Homework was "groundbreaking achievement", praising the combination of house, techno, acid and punk. Reviewing it in 2010 for
BBC Music, Chris Power compared
Homework "less-is-more" use of
compression as "a sonic tribute" to the
FM radio stations that "fed Daft Punk's youthful obsessions". That October,
NME named "Around the World" the 21st-best track of the preceding 15 years. In 2012,
Clash described
Homework as an entry point of accessibility for a "burgeoning movement on the cusp of splitting the mainstream seam". In 2012,
Rolling Stone named
Homework the greatest
EDM album of all time, describing it as "pure synapse-tweaking brilliance". In a second review for
Pitchfork, in 2018, Larry Fitzmaurice awarded it 9.2 out of 10, writing: "
Homework remains singular within Daft Punk's catalog, the record also set the stage for the duo's career to this very day—a massively successful and still-going ascent to pop iconography, built on the magic trick-esque ability to twist the shapes of dance music's past to resemble something seemingly futuristic."
Homework success brought worldwide attention to French house music. According to Scott Woods of
The Village Voice, the album revived house music and departed from the
Eurodance formula, and "[tore] the lid off the [creative] sewer". ==
25th Anniversary Edition ==