Hopepunk emerged during bleak sociopolitical times within a broader culture emphasis on extreme self-care, communal care, and wellness. In May, 2018, the Nebula Conference included a hopepunk panel.
Vox described
N. K. Jemisin's third
Hugo Award in 2018 as real-world activism in the spirit of hopepunk, recognizing the themes of humanity and love in her work. The state of the world around the 2020s (pandemic, climate change, economic and geopolitical crises) gave hopepunk a greater appeal to readers. Sales of
young-adult dystopian fiction were in decline. In 2018,
Cat Rambo, then the president of
Science Fiction and Fantasy Writers of America, said that more nominees for the
Nebula Awards featured "strong, feel-good elements" than in previous years. Intended to describe a literary subgenre, people have used the term to describe films, politics, religion, and everyday activities. It has been popularized in discussions about "everything from politics to pregnancy", according to
America magazine associate editor Jim McDermott. He posits that the foundation of the
Catholic faith is a form of hopepunk. In 2019, the
BBC allocated £150,000 for hopepunk podcasts. BBC executive Jason Phipps says people want "detailed, diverse characters who are unafraid to be fighting for something, choosing hope even when things are bleak." A thriller called
The Cipher was selected for its debut hopepunk podcast. A paper in the
International Journal of Educational Technology in Higher Education describes the hopepunk as a movement toward "speculating, changing, and bettering the world and its future(s) through its emphasis on optimism, cooperation, community-building, the rejection of apathy, and the embodiment of radical hope" and argues for its approach in directing futures in higher education. In 2024,
The Guardian highlighted hopepunk's influence beyond literature, describing how the concept inspired the video game
Monument Valley 3. The article noted that the game drew on hopepunk themes, focusing on community and rebuilding together, aligning with the genre's emphasis on positive change in adversity. == Criticism ==