In a review of the first half of the song,
Pitchfork noted how while the song may sound like a "fluffy counterpart" to "What You Need", the song has a similar level of sadness to it. They later ranked it at number 57 on their list of Top 100 Songs, with Eric Grandy saying it was "Tesfaye at his best, emoting in a androgynous falsetto one minute, muttering unbelievable curses the next."
Billboard named it a "song that defined the 2010's" calling the song "intoxicating and menacing", stating it is "the sound of a party degrading in real time", writing that the journey the Weeknd has in the song, from "kinda creepy but mostly chill" to "a degenerate nightmare [of a gathering of merrymakers]" only works as it does because the two songs are in one track, rather than being separated. Daria Patarek of
Impact called the track "another incredible entry in the Weeknd's debut mixtape 'House of Balloons', which explores his rise to fame, and consequently his entry into the drug-ridden, sex-filled and money-obsessed music world."
Rolling Stone ranked "House of Balloons / Glass Table Girls" as the Weeknd's 9th best track, noting its second half as "one of the most viscerally affecting entries in the Weeknd's whole catalog, as icy and thunderous as an avalanche." They also placed its first part 488th on their 2021 revision of the
500 Greatest Songs of All Time.
Complex named "House of Balloons / Glass Table Girls" as the best song released under the
XO record label, stating it "defined" the sound of the Weeknd's "trailblazing, totally singular debut mixtape
House of Balloons," further writing that the song's sound "would swiftly dominate the Weeknd's native Toronto and far beyond," and that it would influence an entire decade of "moody hip-hop and melancholic R&B." == Live performances ==