Often described as "eclectic," the Swan House features an amalgamation of several different architectural styles. As a whole, the house adheres to
Renaissance revival, but inspiration is drawn from sources across multiple time periods and geographic locations. Italian and English
classicism were blended to suit the needs and interests of the wealthy twentieth-century residents. Italian classicism, especially that of the late Renaissance period during the 16th century, is marked by complex and sophisticated design which is not necessarily unified. One important principle is variety of form, which Shutze accomplished by combining such an assortment of styles. The quality of decoration is valued more highly than demonstrating structural integrity and purpose. Walled gardens became a central component of Italian classicism, and they are regarded as just as important as the building itself. Classical architecture often uses columns and pediments, as can be seen in the Swan House. English classicism followed the lead of Italian classicism from the 17th century onwards, set in motion by
Inigo Jones. The Renaissance style manifested in England through country houses, rather than religious or civic institutions. These houses often followed the Classical outline of
Doric order columns on the first floor, with
Corinthian and
Ionic orders on the floors above, which is demonstrated in the Swan House. The symmetrical western facade and the garden cascade of the Swan House are distinctly of the Italian Renaissance. The east front and the portico are Anglo-
Palladian, an Italian classical style which was popular in English country houses during the 17th century. The house's interior also reflects Anglo-Palladian style in its wood carvings and wall ornaments. While the rooms convey distinct eighteenth-century style, they are transformed by the twentieth-century taste in the furnishings. == Architect ==