A young Scottish architect,
Robert Weir Schultz, worked in Norman Shaw’s office with another talented man,
William Lethaby. They joined forces to win the competition for Khartoum Cathedral, before Lethaby was appointed Principal of the
Central School of Arts and Crafts in Bloomsbury. Robert Weir Schultz moved to Scotland where he produced some progressive designs for the
Earl of Bute. He broke away from the conventional ‘block’ plan and experimented with new plan forms intended to maximise the amount of sunlight and improve the prospect by spreading the building wings in the form of a butterfly. Examples from the great Edwardian architects,
Charles Rennie Mackintosh,
Edwin Lutyens and
Charles Voysey became a major influence in domestic design. Macintosh had made sketches in Hever and Chiddingstone during a bicycle tour in the 1890s, noting particularly the Dower House at Chiddingstone (now demolished). The tradition of Kentish oak mullioned and leaded windows, tile hanging and elaborate roofs was assimilated into the ‘Arts & Crafts style producing a series of country houses admired by discerning patrons. The houses, mostly built in the
Edwardian period, were known as ‘Butterfly’ houses. Mowbray Charrington, of the brewing family, commissioned Weir Schultz to design a small country house for his family on the site of an existing farmhouse at How Green. It was completed in 1905, at a cost of £5,000. A typical
terraced house at that time would have cost about £100. The plan was of the ‘Butterfly’ principle, the wings being angled to take full advantage of the view over the
Eden Valley, and perfectly orientated to enjoy the maximum sunlight. The design was shown at the
Royal Academy in the summer of 1906, and published in
The Builder. The house forms a crescent on the north side, dominated by three equal gables, but the scale is reduced by lowering the roofs over the servants and kitchen areas. The oak—panelled entrance hail with its fine tile and brick fireplace gave access to the
sitting room,
dining room, library and
billiard room. A generous oak staircase ends in an arcaded gallery, originally leading to seven bedrooms. A secondary staircase led to the second floor servants' quarters. The garden, set in of woodland, orchards and paddocks was carefully landscaped, the terrace being enclosed by a balustraded wall and a box hedge taking account of a fine three-hundred-year-old
oak tree. The surrounding garden falls away into a tree- and rhododendron-bounded natural area, including two ponds. Schultz's design was drawn by Cecil Wood, a young architect who worked for him from 1903 to 1905. == Charrington family ==