Owen Glieberman, writing for
Variety, praised writer and director
J Blakeson, whom he compared to
Alfred Hitchcock, stating that "when he finally gets around to staging an action sequence, it's a doozy [...] because he takes his time and has you hanging on every moment". For
Empire, Terri White wrote that Blakeson "doesn't always remain in full control of the story and tone, [but] the ride is so wild and entertaining that it doesn't particularly matter", and gave the film four stars out of five.
Slant Magazine's Chuck Bowen gave the film two stars and a half out of four, and wrote that "Blakeson means for us to champion Marla as a feminist icon for a while, though he deflates this potential moral idiocy with an ironic ending." Various critics praised Pike for her performance as con artist Marla Grayson. While the
Associated Press said "Pike pulls something off that few else could as a protagonist,"
Entertainment Weekly wrote that she delivered her best performance as a villain since
Gone Girl in 2014. Writing for
Out, Mey Rude said that
I Care a Lot was "almost a perfect lesbian movie", praising the "sinister glee" Pike brings to what "could've been an all-time great lesbian sex symbol" role and the "great chemistry" that she and Gonzalez have as the story "keeps escalating and twisting and turning". However, she strongly criticised the "undignified and blunt" ending.
The New York Times said that the film was an "unexpectedly gripping thriller that seesaws between comedy and horror", praising it for being "cleverly written and wonderfully cast", and for its "ice-pick dialogue" and introduction of Peter Dinklage as Roman Lunyov. Conversely, Adam Graham of
The Detroit News gave the film a "D" and said that
I Care a Lot was a "misguided
black comedy", as viewers didn't have a way to relate to the character of Marla Grayson. The
Chicago Tribunes, Michael Phillips gave the film two stars and wrote that while "the acting's uniformly strong [...] the script is distressingly weak." Mae Abdulbaki from
Screen Rant gave a mixed review, lauding the performances from the
ensemble cast, but writing that "there is something completely missing from
I Care a Lot that makes it a hard pill to swallow." In his review for
The Boston Globe, Ty Burr rated the film 2 out of 5 stars and noted that "in Rosamund Pike’s chilly, hollow central performance you may find it difficult to care at all."
Anthony Lane of
The New Yorker criticized
I Care a Lot for being "pleased with its cynicism" and constantly pushing boundaries of tastelessness. He notes the film sidelines the elderly characters and their significance, focusing more on the heartless actions of the protagonist.
Joe Morgenstern described the film as a "shallow comedy" and as "deeply dislikable" and said "The film is arch, but no triumph, an airless exercise in mistrusting its audience, and all of it is accompanied by pummeling music that sounds like a Vangelis wannabe recorded during a brownout."
Glamour Magazine wrote that the movie "mixes the psychopathy of
Gone Girl's Amy Dunne, the dehumanizing capitalism of
American Psycho, and the sapphic energy of
A Simple Favor". == See also ==