"I Have Forgiven Jesus", which was co-written by Morrissey and his band member
Alain Whyte, is an
alternative rock with
R&B and
pop rock undertones. It is composed in the
key A minor and Morrissey's vocal ranges from the note A3 to
G5. The song describes a person who blames
Jesus Christ for creating a human full of love and desires but who is unable to transmit it, although forgives the divine figure for doing so. mixed with a "darkly comedic" tone that discuss frustrated sexual desire and
Catholic guilt. The song was described as representing Morrissey's "angst", especially for "being born mortal", in the form of a "self-pity", "self-loathing", it shows how the singer "embraces hopelessness".
Telegram & Gazette Craig Semon said it is a lament on "his sorrowful existence and how his life has been plagued with nothing but heartache". and Lisa de Jong of
Utrecht University, who characterised it as a song aimed at comforting the "misfits". Adrian May of
P. N. Review described it as "about what to do with the abandonment of desire, how to forgive and transcend to a greater truth or good"; this truth, said May, is the search for a new identity. The song starts by establishing the title character as "a good kid" who "would do no harm", while a middle-height vocal is accompanied by a "1960s-sounding, almost
Beatle-esque keyboard", in the words of academic Isabella van Elferen. As the drama rises and the child starts to doubt the values taught to him, the
andante tempo that expressed the "safety provided by uncontested religious truths" changes to high-pitched vocals that symbolise "naiveté [being] replaced by [the] despair ... of being deserted by those same truths". Gavin Hopps, author of the biography
Morrissey: The Pageant of His Bleeding Heart, wrote that the song uses a humorous tone to describe this loss of faith when Morrissey uses "the dozy-schoolboy nonstandard 'brung'" in the verse "Forgive me any pain I may have brung to you" and when he "ironically repeat[s] back to Christ the promises he feels have been broken or seem meaningless ('I'll always be near to you')". Biographer
David Bret commented that Morrissey described how "as a Dutiful catholic boy he withstood humiliation and condescension to attend church" in the verse "Through hail and snow, I'd go just to moon you". In the sequence, Morrissey sings "I carried my heart in my hand", which, Hopps suggested, could be an allusion to the
Sacred Heart. The third verse, in low-pitched sequences, describes a suffering routine from Monday to Friday. Both Hopps and de Jong interpreted it as emulating the pain Christ is said to have suffered on
his way to Calvary. Morrissey concludes this part with "By Friday life has killed me", which Hopps said could be an allusion to
Good Friday. The death in this part, argued May, is a symbolic one that indicates a self-exile from previous beliefs and the search for a new identity.
Mikel Jollett, on the program
All Things Considered, described it as a "confessional accusation of Christianity". Jim Abbott, writing for the
Orlando Sentinel, said Morrissey blames faith for his feelings. Van Elferen said the song depicts a more "ambiguous relation" of Morrissey to his religious background. Because of the way the song inverts the divine-human relations, both academics and journalists have described it as "blasphemy" and "blasphemous". According to Hopps, beyond the "appearance of blasphemy", it featured elements reminiscent of the lamentations and accusations in the
Old Testament of God being unjust, especially those found in the
Book of Job. Hopps said, however, that at the same time it "seems to be making fun of religious teaching in a way the psalmists and
Job do not". The author concluded that Catholic faith is
"the light that never goes out" on Morrissey's life Although the writer ultimately condemned it, he said it could be positively interpreted as "a prayer of complaint, directed to Jesus" similar to the Psalmists' appeal to God. ==Critical reception==