I've Got You Under My Skin

Weekly charts Louis Prima and Keely Smith The Four Seasons Year-end charts The Four Seasons ==Versions by Frank Sinatra==

Sinatra first sang the song in 1946 on his weekly radio show, as the second part of a medley with "Easy to Love". He recorded a studio version of the song with Nelson Riddle's orchestral arrangement, accompanied by Irv Cottler on drums and slide trombone solo by Milt Bernhart at Capitol's Melrose Avenue studios for his 1956 album ''Songs for Swingin' Lovers!'' Other musicians on the album included George Roberts (bass trombone) and Harry "Sweets" Edison (trumpet), along with various uncredited musicians for the remaining instrumentation (five saxophones, two more trombones, three more trumpets, double bass, two acoustic guitars, and 16 orchestral string instruments). The session was produced by Voyle Gilmore and engineered by John Palladino; Gilmore also later produced The Four Seasons' version of the song. Riddle was a fan of Maurice Ravel and said that this arrangement was inspired by the Boléro. Sinatra aficionados usually rank this as one of his finest collaborations with Riddle's orchestra. Sinatra re-recorded "I've Got You Under My Skin" for the album ''Sinatra's Sinatra'' (1963), an album of re-recordings of his favourites. This time the trombone solo was by Dick Nash because Bernhart was unavailable. A live version of the song appears on the 1966 album Sinatra at the Sands with Count Basie and his orchestra. Another version of the song is an electronically assembled duet featuring Sinatra and U2 lead singer Bono on Sinatra's 1993 Duets album. The track was released on a "double A-side" with U2's "Stay (Faraway, So Close!)". The single peaked at number four on the UK charts. Sinatra usually included "I've Got You Under My Skin" in his concerts, a tradition carried on by his son, Frank Sinatra Jr. The song would be used for the opening of the 2015 game, Batman: Arkham Knight. Certifications and sales ==Neneh Cherry version==

Swedish singer-songwriter and rapper Neneh Cherry's interpretation of "I've Got You Under My Skin" was released as the lead single for the Red Hot + Blue charity album in September 1990 and reached number 25 on the UK Singles Chart. Additionally, it was a top-10 hit in Greece and entered the top 20 in the Netherlands and Sweden. It received critical acclaim from music critics. The accompanying music video was directed by Jean-Baptiste Mondino. Cherry replaced most of the lyrics with a rap on AIDS victims and how society reacts to them. Of the original Cole Porter lyrics, she kept only the first four lines and "Use your mentality, wake up to reality". Critical reception William Ruhlmann from AllMusic described the song as one of the most "radical reinterpretations" on Red Hot + Blue. David Browne from Entertainment Weekly felt the words have special urgency in Cherry's "stark, bass-line-propelled take" on "I’ve Got You Under My Skin", because the song begins with a rap about AIDS. Paul Lester from Melody Maker wrote that it's "pretty much unrecognisable from the original tinkly-suave piano nugget loved by pub singers and talent show chancers the world over." He explained, "Neneh's version starts with a rap, leads into a rubbery "White Lines" bass squiggle, before steel thwacks and programmed claps enclose the song in a glistening metal case. Not bad." Pan-European magazine Music & Media called it an "utterly brooding version of the old Cole Porter song, in a splendid production for the Jungle Brothers' Baby Afrika Bambaataa." Nick Robinson from Music Week stated, "With its dark atmosphere and subject matter, it's grim but effective." Gavin Martin from New Musical Express wrote, "Her provocative revision [...] not only reaffirms her status as the straightest, sharpest shooting soul sister on the block but matches sensitivity with invective in an elegant, mysterious refrain." Parry Gettelman from the Orlando Sentinel found that the singer "eerily deconstructs "I've Got You Under My Skin" and injects it with a hip-hop safe-sex message." James Hunter from Rolling Stone remarked that the "genuine innovations" of Cherry set the tone of the album. Marc Andrews from Smash Hits felt the track "is the closest any of the artists here get to really putting the message across". Chris Norris from Spin complimented the singer-songwriter's "chillingly metaphorical" version of the jazz standard. Charts Weekly charts Year-end charts Release history ==References ==