Most of the material on the album was contemporary and fresh to Evans's repertoire. The two sides of the original LP both open with takes of the title track by
Michel Legrand, the second more than a minute longer than the first. Evans had participated in one session of Legrand's classic 1958 album
Legrand Jazz, and in the meantime, the Frenchman had become a major film composer and songwriter, whose works, as Evans biographer Peter Pettinger notes "have beguiling melodic appeal, and this, combined with their satisfying construction (Legrand has a strong sense of key relationships within a short span), is what persistently attracted Evans. His tunes also carry much sentiment, and the pianist could turn that to lyrical advantage while avoiding the maudlin." The album also includes works by "several [other] composers who inevitably inspired the pianist, including ...
Johnny Mandel,
Earl Zindars, and
Steve Swallow." In addition, Evans performs a version of "Dolphin Dance" by his younger contemporary
Herbie Hancock, which first appeared on the classic album
Maiden Voyage (1965) and had been covered by
Ahmad Jamal on his acclaimed album
The Awakening (1970). The album includes one Evans original, "The Opener." The 1992 CD reissue by
Original Jazz Classics includes two bonus tracks that round out the material from these recording sessions: an older standard,
Jerome Kern's "
Nobody Else but Me," and another Legrand composition, "Orson's Theme," an insouciant piece that had been composed for the
Orson Welles film
F for Fake. ==Reception==