In conjunction with the single release, Tyler recorded a music video for "If You Were a Woman (And I Was a Man)". Three versions of the video were published. The longest, uncut version runs to 5:54. The "extended" version is only 5:29 and is missing a few lines of dialogue (e.g. "You ready? You ready? you ready?" "I was born ready") and rather than the transformation of the
Rambo character into a
Marilyn Monroe character, an explosion of light is used and the third version runs to 4:40 and omits the opening dialogue sequence and all of the additional dialogue bar "Welcome to The Dive!". The screenplay for this music video was written by Jim Steinman and he also produced and co-directed it. By the mid-1980s he was experimenting with androgyny, manufacturing the band Fire Inc for the songs in the film
Streets of Fire by blending the voices of female (
Laurie Sargent,
Holly Sherwood) and male (
Rory Dodd) voices together as one to produce a single super-voice. The theme of colour vs black-and-white recurs in the song with the lyrics "can you colorise my life? I'm so sick of black and white" in the song "
I'd Do Anything for Love". In early 2017 previews of his
Bat Out of Hell: The Musical, there was a line in dialogue "Why are nuns so scary? It's because the world is in color and the nuns are black and white". The scenario of this music video does appear to be part of Steinman's "Obsidian" universe. The location is mentioned in Steinman's earlier work
Neverland and is also a location in
Bat Out of Hell: The Musical.
Bat Out of Hell: The Musical is set in 2030 according to the "Obsidian Times" newspapers they hand out at the show, whereas the elderly woman in this video refers to the turn of the 21st century. One character in
Bat Out of Hell: The Musical mentions there having been "chemical wars" in the past. The line "You won't believe your eyes.. or any other part of your body!" also occurs in Jim Steinman's own music video "Dance in My Pants", and is spoken by a woman on the door of a different club. Rather than simple reuse of a joke, it may have been done to draw a parallel, or imply that both establishments are supposed to be in "The Deep End".
Reception The video received six nominations at the 1986
Billboard Video Music Conference; Best Conceptual Video, Best Special Effects, Best Audio, Best Costumes, Best Choreographer (Edmond Kresley) and Best Set Designer (Stephan Roman). ==Live performances==