By the end of 1975 Oldfield had released his third album,
Ommadawn (1975), which, like his previous two albums,
Tubular Bells (1973) and
Hergest Ridge (1974), had reached the top-five of the
UK Albums Chart and helped to solidify Oldfield's popularity as a musician. The three albums were similar in structure, formed of a single composition split into two parts of the
LP record. The release of
Ommadawn marked the end of Oldfield's time at his home near
Kington, Herefordshire, from which he moved to Througham Slad Manor near
Bisley, Gloucestershire and set up a recording studio there. When work on
Incantations began, Oldfield recalled that his initial goal was a record that contained "real
incantations to exert a benign magical influence on anybody who heard it". He intended to base the music around real spells and chants, and asked the A&R department of his label,
Virgin Records, to invite the head
Druid to his home and discuss it further. The visit was unsuccessful; Oldfield's request for magic spells was turned down and he got the impression that the person was more interested in converting him to the movement.
Keith Critchlow then introduced Oldfield to various "strange people" to gain inspiration, including poet
Kathleen Raine, whose poems failed to conjure strong enough music, and a "
shaman, gypsy-type woman" who remained silent all through her meeting with Oldfield. Then, a Virgin employee researched into British folklore and suggested
Gog and Magog, from which Oldfield was able to find incantations that worked, specifically about
Diana the Huntress, which he then used as a running theme through the album. In its final form,
Incantations took shape as a
double album and separated into four distinct parts, each one taking up one side of an LP record. Oldfield had felt guilty that he had not released new material in three years, which influenced him to make a double. At 72 minutes in total length,
Incantations remained Oldfield's longest album until his 2005 double album,
Light + Shade. ==Recording==