The sequence in which the musicians would join in the ensemble playing, and the approximate timing of those entrances, were planned, but nothing else – harmony, key, time signature, tempo, melody or rhythm – was prepared or set. Instead, the five musicians were held together by "contrapuntal interaction". Structure exists in the performance because of "the close interaction between musicians, as they enter in imitation of a figure previously stated by another member." Tristano opens the recording himself, then, at intervals of around 20 seconds, each of the other four musicians joins in. The pianist plays in an implied meter, but adds phrases that provide others. Konitz's entrance reinforces a tonal center of C. Bauer initially responds to a scalar section, and then interacts closely with Tristano. Marsh also starts, at 1:09, by extending an earlier motif, them moves into as the others, except for Fishkin, refrain from playing. The five members then interact together in
counterpoint, before Tristano, at 1:44, plays some fast runs, which leads to further ensemble playing until Tristano repeats an A, signaling the close of the performance. According to Tristano, "As soon as we began playing, the engineer threw up his hands and left his machine. The A&R man and management thought I was such an idiot that they refused to pay me for the sides and to release them." ==Release and reception==