Development A remake of
Invaders from Mars was initiated by Wade H. Williams III, who obtained the rights to the original film for a 1978 re-release.
Jay Weston was initially attached to producer, with
Joe Alves as director, before the rights were sold to the
Cannon Group. A lifelong fan of the original film,
Tobe Hooper took on the project as part of a three-picture deal with Cannon, preceded by
Lifeforce (1985) and followed by
The Texas Chainsaw Massacre 2 (1986). The film contains several direct homages to the original film.
Jimmy Hunt, the actor who starred as young David MacLean in the
original 1953 film, made a
cameo appearance as the police chief.
Casting Director Tobe Hooper knew child actor
Hunter Carson, as he was friends with his parents
L. M. Kit Carson and
Karen Black (the elder Carson later co-wrote
The Texas Chainsaw Massacre 2). Hooper was convinced to hire him after seeing his performance in the film
Paris, Texas.
James Karen had previously worked with Hooper on
Poltergeist (1982). Director of photography
Daniel Pearl had previously worked with Hooper on the original
The Texas Chain Saw Massacre. In the intervening years, Pearl had become a prominent cinematographer of
music videos, and Hooper hired him because he wanted a "
rock video look and feel." It is currently used as an administrative office for the park and the
Santa Monica Mountains Conservancy. A replica of the house and hill were constructed at
Hollywood Center Studio for night and special effects scenes.
Special and visual effects The
creature effects were created by
Stan Winston. The Martian "drone" aliens were designed to have inverted leg joints, realized by having a suit performer wear the costume backwards, while a second puppeteer operated the face. The two performers would then move back-to-back. Midway through filming, Winston had to leave the production due to prior commitments to
Aliens, and
Alec Gillis supervised the latter part of the shoot. The visual effects were supervised by
John Dykstra, who had previously worked on
Lifeforce. Dykstra's team constructed two scale miniature UFOs, one was nine feet and the other was three feet. When he proved unavailable,
Christopher Young was hired instead. Young was given only 23 days to complete the score. He wrote and recorded 15 minutes of orchestral music and 30 minutes of
electronic music, which was written in a
musique concrète style. While the producers liked the orchestral score, they disliked the electronic music, and had much of it replaced with compositions by musician Dave Storrs, who had written music for several Cannon Films trailers. == Release ==