Isaac A. Van Amburgh

Isaac A. Van Amburgh (a name adopted by his American Indian grandfather) was born on May 26, 1808, in Fishkill, New York. Legend dictates that while reading the Bible, young Isaac came upon the tale of Daniel in the lion's den, and, from then on, was determined to be a lion tamer. Van Amburgh never showed the same interests in material objects or even games as the other children. Rather, he spent his time surrounded by roaches, mice, and rats, feeding them pieces of his dinner to attract and even train them. He soon became a sort of animal authority to call when the local wildlife disrupted neighborhood homes and farms. Van Amburgh would investigate reports of destroyed or stolen crops and livestock and seek out the animal responsible. Upon finding the offender, he would beat the creature into submission, effectively preventing it from causing additional problems. Despite its name, the Zoological Institute was not a zoo at all, but rather a tiny traveling menagerie. Although he started out as a "cage boy," Isaac showed an aptitude for training the wild animals whose cages he cleaned. One of the owners of the Zoological Institute, Titus, was a dealer in wild animals. So he appreciated the novelty of trained wild animals, recognizing that "novelty plus publicity meant money." June, Titus, and Angevine distributed posters by the thousands. They put Isaac in costume – a Roman toga, in reference to the gladiators of ancient Rome's Circus Maximus. In the winter, Van Amburgh trained his wild animals in the barns of New York's upper Westchester and the lower Putnam counties. The next year, 1821, the Van Amburgh Menagerie hit New York City. ==The Lion King==

In 1833, at age twenty-two, Isaac A. Van Amburgh entered a cage of wild cats at the Zoological Institute. From the Richmond Hill Theatre, New York, Van Amburgh astonished the country. In the words of his biographer, "The effect of his power was instantaneous. The Lion halted and stood transfixed. The Tiger crouched. The Panther with a suppressed growl of rage sprang back, while the Leopard receded gradually from its master. The spectators were overwhelmed with wonder .... Then came the most effective tableaux of all. Van Amburgh with his strong will bade them come to him while he reclined in the back of the cage – the proud King of animal creation." Van Amburgh did more than just enter the cage. Nathaniel Hawthorne described a menagerie he saw on September 4, 1828, near North Adams, Massachusetts: "A man put his arm and head into the lion's mouth, – all the spectators looking on so attentively that a breath could not be heard. That was impressive, – its effect on a thousand persons, – more than the thing itself." As Van Amburgh was one of the few performers of the time to perform this way, it was probably Van Amburgh that Hawthorne saw. In fact, Van Amburgh is usually credited with being the first man ever to put his head into the mouth of a lion. Even after the 1868 fire that killed Van Amburgh's animals and destroyed other circus artifacts, the potent name of Van Amburgh continued to be used by circuses until 1922. Elephant Hill Road in Connersville, IN is named for the elephant Tippo Sahib who died and was buried on that hill. Tippo Sahib was part of the Van Amburgh circus. London and Queen Victoria '' by Sir Edwin Henry Landseer, 1839 In the late 1830s, Van Amburgh took his act to England and Europe for several years. He made his debut in London at Astley's on August 27, 1838, and his said to have made £300 per week there. While in England, Van Amburgh performed for Queen Victoria and Prince Albert in 1844. The former took special interest in him. In fact, the Queen commissioned artist Edwin Landseer to paint a portrait of Van Amburgh and his cats. She even remained after one evening's performance in order to watch his feeding the cats. Even before his 1838 European debut, Van Amburgh was one of America's most celebrated characters. But after such special royal favor, Van Amburgh "became a figure that even the American upper crust could admit to appreciating." He was the first major American wild animal trainer to achieve such an international celebrity status. ==Criticisms==

Circuses were regularly under attack in the press and at the pulpit as "traveling death" and "moral ruin." But predecessors of Van Amburgh were less inhumane. Despite his great success and popularity, Van Amburgh regularly faced criticism for the cruelty he showed to his animals. Van Amburgh reportedly beat his animals with a crowbar. In costume, whether in loose-fitting jungle clothing or ancient Roman gladiatorial garb, Van Amburgh would bait the animals, attempting to evoke as much ferocity on their part as he could. Thereupon, he would beat them into submission. "His piece de resistance was forcing the lions to ... lick his boots as the ultimate sign of his conquest and the animals' abject subservience." Van Amburgh's own publicity agent, Hyat Frost, reported that Van Amburgh starved his lions for three days before one of these royal command performances. They were so hungry when it came time to perform that he was forced to "lash them furiously with his whip 'into the most abject and crouching submission.'" In response to these attacks, Van Amburgh cited Bible verses to justify his touring menagerie. He quoted Genesis 1:26, arguing that God had given men dominion over animals. Thus "it was a religious act for trained animals to kneel at his feet." He is also well-remembered for having acted out a scene from the Bible by forcing a lion and a lamb to lie down together and even inviting a child from the audience into the den. ==Death and legacy==

In August 1838, the editor of the Age reported that "there have already been several cases in which lions have snapped off the heads of persons persisting in this sort of foolish experiment." Van Amburgh is the man, who goes to all the shows ''He goes into the lion's cage, and tells you all he knows;'' ''He sticks his head in the lion's mouth, and keeps it there a-while,'' And when he pulls it out again, he greets you with a smile. chorus: The elephant now moves round, the music begins to play. ''Them boys around the monkey's cage had better keep away'' ==See also==