She was the founder and principal playwright for a drama club, the Strathmore Players, one of many flourishing drama clubs established under the New Zealand Branch of the British Drama League. She wrote over 60 plays which usually involved scenes of domestic life with all-female casts (particularly during
World War II when there were limited male actors available). She won four of the League's original play awards, including for
The Willing Horse (published in 1943 and reprinted in 1962), which remains her best-known play. It is a comedy with roles for ten women, and set in a small rural town, with themes of marriage and isolation in a rural farming community. In 1943 it was awarded the
Dairy Exporter Cup for the best play by a New Zealander and the Sir Michael Myers Cup for the best play produced. She also wrote plays for radio which were aired by the
New Zealand Broadcasting Service, the
Australian Broadcasting Commission and the
BBC. In 1949 it was published by
George G. Harrap and Co. in
The Best One-Act Plays of 1948–49 and it was subsequently performed on numerous occasions overseas. In 1969 she was one of the principal speakers at a
PEN New Zealand writers' conference, and the following year sat on the national executive of the New Zealand Drama Council. In 1961 she and her family moved to
Auckland. She also wrote the script for the romantic documentary film
To Love a Maori (1972), directed by
Rudall Hayward, and
Matenga – Māori Choreographer (1974), produced by Hayward and directed by Arthur Thompson. ==Legacy==