Barnsley was born in
West Flamborough,
Canada West, today known as
Dundas, Ontario. His childhood was marked by several tragedies: the death of his father and sister, the death of his uncle (his mother's brother), and the burning of the family business. As a result, his mother, Christina Barnsley (1829–1923), moved with him to
St. Louis,
Missouri, where another brother lived. When he was 18, he began his formal art training at the
St. Louis School of Fine Arts. Upon graduated, he was awarded the gold medal. In 1883, he traveled to
Paris, France, and studied with
Luigi Loir, Otto de Thoren and Félix de Vuillefroy. He lived in Paris with a studio at Puteaux for five years, and during that time he made the primary subject of his paintings the sea and its ships. In 1883 a comprehensive exhibition of Eugene-Louis Boudin and his
French Impressionism seems to have influenced him. Barnsley exhibited in five
Paris salons, received favorable reviews, was elected a member of the Société des amis des arts de Seine-et-Oise at
Versailles and won numerous Salon Awards for his maritime and
landscape paintings. In 1886, he began to show his work with the
Royal Canadian Academy. In 1887, he began exhibiting with W. Scott and Sons Galleries, Montreal. In 1887, he returned to Canada and showed his work with the Royal Canadian Academy of Arts and began to show work with the
Art Association of Montreal. He settled in Montreal and opened a studio in New York as well as travelling abroad. In 1890, he was elected to the New York Watercolour Club at its inaugural meeting. In 1892, he was diagnosed as mentally ill with
schizophrenia and was admitted to the
Protestant Hospital for the Insane in
Verdun,
Montreal where he remained the rest of his life. He never painted again, but his Montreal dealer, W. Scott and Sons Galleries along with his mother, promoted his work and placed it to advantage in exhibitions such as those of the Royal Canadian Academy of Arts and sold it to institutions such as the
National Gallery of Canada and
Montreal Museum of Fine Arts, where it remains today. In 1964, the
Vancouver Art Gallery circulated a
retrospective of 65 of his works to five galleries with a catalogue by J. Barry Lord which remains the best account of his life. Lord also wrote an article in the
National Gallery of Canada Bulletin about his discovery of Barnsley sketches in the collection. == Notes ==