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Jack Bologna

John Peter Bologna (1775 –1846), known as Jack Bologna on stage, was an Italian actor and dancer, who spent much time in England popularising the role of Harlequin in Georgian pantomimes and harlequinades in the early part of the 1800s at the Sadler's Wells and Covent Garden Theatres.

Biography
Early life Bologna was born into a performing family. His father, Pietro Bologna, was an Italian clown performer, who became famous for his ability to play the flute through each nostril and to play the drum while tightrope walking. Bologna's mother was an actress, and his siblings, Louis (d. 1808) and Barbara (1786–1804), performed with the family act. Jack made his debut on the Italian stage at age 11, soon afterwards coming to England in 1787, where he met the ten-year-old Joseph Grimaldi, who had begun performing in the pantomimes of his actor father Giuseppe. The two young performers formed a close friendship. From there, Bologna made his first appearance on the English stage with his family's tumbling act, which initially toured the provincial theatres. The Bolognas became popular in the provinces and took up an engagement at the Sadler's Wells Theatre in London in 1792 where, among other actors, they appeared in ''Medea's Kettle; or, Harlequin Renovated and La Tableau Chinois''. The piece was a success, and the theatre's proprietors engaged him in further productions. Career On 24 November 1797, Bologna opened in the part of Setric in the Christmas pantomime The Round Tower. In 1798, he returned briefly to Norwich where he starred as Bertrand in The Knights of Malta. On 3 June 1800, he married Harriet Bath Barnewell, a dancer and vocalist, in Hanover Square, London. In 1801, Bologna choreographed the production Rinaldo Rinaldini at London's Royal Circus, in which he played the . From 1802, he appeared at Sadler's Wells as Harlequin, and, with his brother Louis, starred in the burletta Edward and Susan which Jack also composed. Also in the cast was Joseph Grimaldi, who played the part of Clown. Bologna and Grimaldi would often collaborate professionally and would continue a lifelong friendship until Grimaldi's death in 1837. In 1805, Bologna succeeded James Byrne as Harlequin at the Covent Garden theatre and, the following year, along with Grimaldi, he starred in Thomas Dibdin's Christmas pantomime Harlequin and Mother Goose; or, the Golden Egg. The show was a success and ran for ninety-two nights, selling 300,000 tickets. So successful was Bologna's partnership with Grimaldi that between 1807 and 1814, they earned £2,000 in various benefit performances. Between November 1805 and February 1806, he was engaged by Charles Dibdin to appear at the Amphitheatre in Dublin, and the following year he choreographed a number of successful pantomimes and plays at the Royal Circus, including The Cloud King, The False Friend, The Mysterious Freebooter, The Sorceress of Strozzi, Black Beard, Moms and Mercury, Buenos Ayres, Werter and Charlotte and Edwin of the Green. On 8 July 1808, Bologna was hired to entertain guests at a masked ball at Burlington House. There, he met Lord Byron, who admitted to being such a fan of pantomime that he based his poem Don Juan on an afterpiece given by Delpini, a character from the harlequinade. So impressed was he at Bologna's performance, that he asked Bologna to reserve him a seat at all of his future benefits. Due to the physical demands of performing as Harlequin, Bologna broke his collar bone during a performance of Harlequin and the Swans in 1813. Bologna's wife, Harriet, died in 1814, and he remarried in 1816, to the dancer Louisa Bristow, who was his friend Grimaldi's sister-in-law. Bologna had met Bristow in 1810 while she was playing Columbine during one of Grimaldi's harlequinades. In 1815–16, Bologna performed at the Covent Garden Theatre, but he left in 1817. After a ten-year absence from Sadler's Wells, Bologna returned in 1819 to appear in the only pantomime that Grimaldi authored, ''The Fates; or, Harlequin's Holy Day'', in which he played harlequin. The piece was a flop, mainly because of its writer's ailing health and sudden departure from the production. While engaged at the Pantheon Theatre in Edinburgh, Bologna secured himself a lucrative contract with the proprietors of London's Theatre Royal, Drury Lane to appear in the 1819 Christmas pantomime, earning him more than £6 per week. Bologna died penniless in Glasgow, Scotland, aged 71, of natural causes. ==References==
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