Franciscus van der Steen is principally known as a reproductive engraver who made engravings after old masters and contemporary artists. The archival sources also show him in the role of a painter. The Liechtenstein books of accounts record that van der Steen was paid 465 gulden for paintings in August 1665, 120 gulden in September of the same year and a further 34 gulden and 30 kreutzer for five more paintings in July 1667. No paintings are currently attributed to van der Steen. This
Theatrum Pictorium is a shortened name of a book published in 1660 in Antwerp by
David Teniers the Younger's brother
Abraham Teniers in Antwerp. It was a catalog of 243 Italian paintings in the collection of over 1300 pictures owned by Teniers' employer, the
Archduke Leopold Wilhelm of Austria. It contained engravings of these paintings engraved after small models (
modelli ) that Teniers had painted after the originals. A second edition with page numbers was published in 1673. Nikolaus van Hoy worked as the intermediary draughtsman for several of the prints as he translated the modelli made by Teniers into drawings. These were then engraved by van der Steen and 11 other engravers. He also worked with the Antwerp publisher and engraver
Joannes Meyssens on portrait engravings for
Het Gulden Cabinet der Edel Vry Schilderconst, the book of artist biographies written by
Cornelis de Bie first published in 1662. He worked again with Nikolaus van Hoy and Jan van Ossenbeeck on a publishing project on the occasion of the wedding of
Emperor Leopold I and
Margaret Theresa of Spain. It describes the festival, including a horse ballet, that was performed in January 1667, under the direction of Alessandro Carducci, with floats designed by Carlo Pasetti and a text written by
Francesco Sbarra. The book was published in 1667 in Vienna under the title
Sieg-Streit Deß Lufft vnd Wassers ('Fight between air and water'). He further collaborated on the publication
Historia di Leopoldo Cesare written by
Galeazzo Gualdo Priorato and published in Vienna by the Flemish publisher from Antwerp
Johann Baptist Hacque. The first and second volumes of the book were published in 1670 and a third one in 1674. The first volume described the political and military successes of Emperor Leopold I between 1656 and 1670. It was mainly illustrated with prints made by Flemish and Dutch printmakers after designs by other Netherlandish artists as well as artists from Germany and Italy. The illustrations mainly depict portraits of European monarchs and important aristocrats, castle scenes, battle scenes, maps and ceremonies. Apart from van der Steen, the Dutch and Flemish artists who contributed to the work were
Frans Geffels,
Cornelis Meyssens,
Jan de Herdt,
Gerard Bouttats,
Adriaen van Bloemen, Sebastian van Dryweghen and
Jacob Toorenvliet. German artists Moritz Lang, Johann Martin Lerch and Johann Holst and Italians Il Bianchi, Marco Boschini and Leonardus Hen.t Venetiis also contributed. ==References==