'' in lower right. The Jageshwar group of temples are similar to some large historic cluster of Hindu temples found on the Indian subcontinent. For example, a similar cluster is seen near Bhubhaneswar, Odisha at the
Lingaraja group of temples. Another large group of stone temples is illustrated at the
Batesvar complex in Chambal valley of
Madhya Pradesh. Almost all the small and large temples in the Jageshwar valley, states Chanchani, have a "simple square plan sanctums bounded by plain walls and tiered superstructures". The temples are atypical than other Hindu temples build after the 6th-century. The Jageshwar temples have a design that deliberately does not anticipate their use as house of worship. The sanctum space in most temples is generally too small (~ 3 square feet) that a priest cannot sit inside, leave alone move around to complete a ritual. Further, most of the lingas do not provide for a drain from
abhisheka, a feature that Hindu temples from Gupta and post-Gupta period include. There is no record of their being used for worship, nor traces at the site that would suggest unrecorded use. According to Chanchani, most of these temples may have been memorials to Hindu monks or saints, or part of dedication or grant to the monasteries. The site is additionally notable for rock
steles featuring Hindu theological themes. Included in these are all four major traditions of Hinduism: Shaivism, Vaishnavism, Shaktism and Sauraism. Example steles include those of Ksemankari, Narayana, Revanta and Surya. Other significant reliefs include those of dancing Ganesha, seated and smiling Uma-Parvati and Saptamatrikas. Some significant monuments in the Jageshwar valley include: • Temple 47, found at the Jageshwar site, is a Valabhi Nagara style superstructure with a wagon vault from the 7th or 8th century. Its western wall was capped with a Vinadhara Shiva stele (lute bearing Shiva legend,
Shaivism), the northern wall with Ganesha stele (pan-Hindu), and the eastern wall with yoga performing Saptamatrikas (seven mothers,
Shaktism tradition). • Temple 2, found at the Jageshwar site, is another early temple with a tiered tower in the curvilinear
latina Nagara style. Its square sanctum is preceded by a short vestibule (
antarala). The platform and base moulding resembles Temple 47. The tower is capped with a cogged disc (
amalaka) and above it is a hypethral
linga. The walls of this temple feature niches, while above the sanctum doorway is a dormer windom with three-face Shiva carved into it. The temple also has a 7th or 8th century
relief carving showing
Lakulisa seated on lotus in water, in a yoga asana doing meditation where gods approach him from the skies and yogis surround him. • Temple 145, found at the Dandeshwar site, is also a 7th to 8th-century temple but that exhibits yet a third distinct style suggesting an acceptance and proliferation of artist diversity. Its tower consists of stacked series of
amalaka in the form of cogged discs of shrinking diameter. Below is the square sanctum (
garbha griya) whose doorframe and mandapa are formed by square pillars. Inside the sanctum is a
chaturmukha Shiva linga, each face looking at a cardinal direction. • Temple 76, found at the Jageshwar site, is another 1st-millennium temple at the site, but one that is substantial. It is dedicated to Mrityunjaya form of Shiva, or the one who conquered death. The temple is in the middle of lingas and smaller shrines, suggesting its importance when they were built. Temple 76, also called the Mrityunjaya Mahadeva temple, is a large temple with the
latina Nagara style architecture. It has a four-pillared entry mandapa, then the
mukha-mandapa (main hall) which leads to an
antarala (vestibule) then on to the square sanctum. The tower is curvilinear. Its wall is covered with frieze and niches in a format that belongs to the 850-950 CE. The temple tower is a multistorey structure, but in the modern era is covered with a wooden canopy. Inside the canopy is the original cogged disc-shaped
amalaka which is then topped with hyperthral linga finial. The Mrityunjaya temple follows the
vastupurusha-mandala plan and elevation found in Hindu temple architecture texts. It has 16 central squares like the Mahua Hindu temple, the sanctum length equals the central offset, and the wall thickness equals the corner unit's length, proportions taught in the symmetric 16-grid plan. The temple was the first that included a pillared hall (mandapa) in front, and this hall was used for communal rituals and as shelter for pilgrims to rest in. This temple is also notable for its short inscriptions found on its mouldings, walls, pilasters, and pillars. D.C. Sircar dated these to be from the 8th to 10th century period. • Temple 37 is eponymously named as the Jageshwar temple. It is also large, has a mandapa, a vestibule, and a sanctum. However, it was likely built in 12th or maybe the 13th century, and the site evidence suggests it has been rebuilt a few times over its history. The temple integrated four entrances, included intricate carvings on its tower, and the superstructure is pyramidal with progressively receding stone blocks. The sanctum has two unusual
dvarapalas added in the 14th-century or later. One four-armed
dvarapala holds a skull in the tradition of the Pashupata-
Kapalikas in one of his hands, a rosary in other, a fruit in yet another and the fourth hand cradles an object. At his pedestal is a bull, both on a lotus. The left
dvarapala is similar, but differs in holding a serpent in his hand instead of the skull and other items. The symbolism of these
dvarapala is to remind the pilgrim of the certainty of death for everyone and that when they pass through them they are entering the spiritual sanctum and the symbolism for liberation which exists eternally. Temple 37 remains an active house of Hindu worship.
Vinayak Kshetra This place is 200 m from Artola village from where temples of Jageshwar starts. From this place Vinayak Kshetra or sacred area begins. This place lies between
Jhanker Saim temple, Vrudhh Jageshwar and Koteshwar temples.
Sri Vriddha or Bud Jageshwar This temple is situated Seven km north to Jageshwar. This temple is situated at the top of the hill and comes after an uphill trek. It is contemporary to Jageshwar group of temples. This temple is located at higher altitude
Pushti Devi or Pushti Bhagawati Maa It is the temple of Goddess
Devi. The temple enshrines the full
murti of Goddesses. This temple is situated in the Jageshwar main premises.
Inscriptions Over 25
inscriptions of different periods are inscribed on the walls and pillars of the Jageshwar temples. Most of these belong to the period between the 7th century AD to 10th century AD. The dialect of inscriptions is
Sanskrit and
Brahmi. These are studied by D.C. Sarkar in
Epigraphica Indica. ==Significance==