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Jagiellonian tapestries

The Jagiellonian tapestries, are a collection of tapestries woven in the Netherlands and Flanders, which originally consisted of 365 pieces assembled by the Jagiellons to decorate the interiors of the royal Wawel Castle in Kraków, Poland. The collection is also collectively known as the Wawel Arrasses, as the majority of the preserved fabrics are in the possession of the Wawel Castle Museum and the French city of Arras, which was once a manufacturing centre of this kind of wall decoration in the beginning of the 16th century. The works became state property of the Crown of the Kingdom of Poland according to the will of Sigismund II Augustus.

History and components
The first tapestries were brought by Queen Bona Sforza as her wedding dowry. Then in 1526 and 1533, Sigismund I the Old ordered 108 fabrics in Antwerp and Bruges. and Nicolas Leyniers between 1550-1565. Initially, there were about 170 tapestries in the royal collection, among them 84 black-and-white tapestries with the royal crest and the letters SA, 8 tapestries which Sigismund I the Old had been received from the Emperor Maximilian I, and others, gifts from foreign delegations. The gifts include one tapestry with the Polish eagle bearing the date 1560, the royal initials and the letters CKCH (Christophorus Krupski Capitaneus Horodlo) next to the Korczak coat of arms and the inscription SCABELLVM PEDVM TVORVM (the footstool under your feet, from Psalm 110 (A Psalm of David)), a gift from Krzysztof Krupski, starost of Horodło for Sigismund Augustus. • Mythological scenes - scenes from the Trojan War, the Military expeditions of the Persian king Cyrus, the Story of Romulus and Remus, the Story of Scipio, the Story of Hannibal, the Story of Julius Caesar and the Story of Octavian Augustus (scattered), • landscape and animal scenes (verdure) (sometimes associated with Willem Tons), • grotesque scenes with the coats of arms of Poland and Lithuania and the royal initials were given to the king's three sisters and after their death, they had become the property of the State Treasury, to serve the public good of the Commonwealth and not for private benefit of future kings (fragment of the Diet's resolution). Unfortunately, the not quite precise will became a cause of many conflicts over ownership of the tapestries between the kings and nobles. The whole collection was only together for a short time at the Castle in Tykocin until 1572. Then the king's sisters scattered it between their residences in Kraków, Niepołomice, Warsaw, Vilnius and Hrodna, and even sent some to Sweden. During the Deluge the collection was hidden by Jerzy Sebastian Lubomirski in his estates in Spiš. In the following years the king John II Casimir Vasa mortgaged 157 tapestries to a merchant from Gdańsk, Jan Gratta, without the consent of parliament. In order to force the lifetime wages after his abdication the king also took some of the tapestries to France. This caused protests from the nobility and the king's debt was not repaid until 1724. When the Second World War broke out in 1939, the tapestries stored at Wawel Castle were transported through Romania, France and England to Canada to be finally returned, after 15 years of negotiations, to the People's Republic of Poland in the 1960s. In 1961, when the royal collection was coming back from a long journey it was greeted by the Sigismund Bell and the Kraków inhabitants. Today 137 fabrics are owned by the Wawel Royal Castle (2 of them, Forest landscape with a deer and a duck catching fish and the Forest landscape with a deer and giraffes by Nicolas Leyniers, are displayed in the Warsaw Royal Castle), the Moral fall of the humanity before the deluge, returned to Poland in 1977 as a gift from the Soviet Union, it is in the Royal Castle in Warsaw and one of the missing, which appeared on the antique market in the 1950s and was purchased by the Rijksmuseum in Amsterdam. Today, the 136 that are still in possession of the Wawel castle make up Europe's best tapestry collections. ==See also==
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