(left) and Jaishankar Bhojak 'Sundari' in a play
Sneh-Sarita, 1915 He started his career by joining Dadabhai Thunthi's Urdu performing art company in
Calcutta in 1897. He worked in a chorus of girls for a salary of six rupees a month. He returned to
Bombay and joined Chotalal Kapadia's
Mumbai Gujarati Natak Mandali in 1901. Along with Gujarati, he also performed in Hindi and Urdu languages. He mainly performed as a female impersonator as females were not allowed in theatres in those times. He performed female lead opposite
Bapulal Nayak several times including in
Jugal Jugari (Jugal the Gambler),
Kamlata (Lovestruck Girl, 1904),
Madhu Bansari (Sweet Flute) and
Sneh Sarita (River of Affection),
Vikrama Charitra (Vikrama's Life, 1902). He along with Bapulal brought
Govardhanram Tripathi's
Saraswatichandra, Nrisinh Vibhakar's nationalistic plays and plays of
Mulshankar Mulani to stage. He retired in 1932 and returned to Visnagar. He was active in
Ahmedabad from 1948 to 1964 as the director and teacher in theatre. He joined
Gujarat Vidhya Sabha in 1948 in Ahmedabad to perform in
Ramanbhai Neelkanth's
Raino Parvat in 1950 on the occasion of its centenary. Later he organised a performing troupe and theatre school,
Natmandal with
Rasiklal Parikh and
Ganesh Mavlankar. He revived
Bhavai, the traditional performing art form, by directing
Mithyabhiman (False Vanity, 1955), a satirical play by
Dalpatram. They produced several plays like
Mena Gurjari (Mena of Gujarat) in 1953 which he synthesized Bhavai and
Beijing Opera. He trained several actors including Jaswant Thaker,
Dina Pathak,
Pransukh Nayak and Kailash Pandya. He died on 22 January 1975 at
Visnagar, Gujarat. ==Recognition==