Men's in a traditional jellabiya Men's galabeya in
Egypt typically have wider hems and sleeves in the country than in the city and a wide neckline with a slit. In the city, there is usually a button placket instead of a simple slit. Dull, solid colors, stripes, and
plaid are considered appropriate for men's galabeya, while women's are usually prints and bright colors (or occasionally solid black). In the summer, men's galabeya are made of cotton, while in winter they are made of flannel or wool in darker colors. A heavier galabeya may be worn on top of another and feature couched cord or
braid decorations concentrated on the neckline, sometimes with braid buttons. In
Egypt, two men's galabeya with collars exist: the galabeya
frangi (foreign) which has a western shirt collar and the galabeya
scandarani (Alexandrian) which has a stand collar. They also have breast pockets and collars, buttoned
placket front openings, high necklines, and a slightly tighter cut. These are seen as more sophisticated styles of men's galabeya compared to the standard. This clothing has been famous in Arab world with many nationalities.
Women's Women's galabeya in
Egypt are typically varied along regional lines. The two main styles are the galabeya bi wist (with waist) and galabeya bi sufra (yoked and loose). The former is common in Middle Upper Egypt from Beni Suef to Assiut, and the latter is common in the Delta. Deep Upper Egypt has both, distributed along ethnic lines. The galabeya bi wist has a bodice and separate skirt. The skirt is either gathered or cut in a bell shape, with a length between the knee and the floor. The waist of the dress is higher than natural to accommodate pregnancy. Sleeves are always 3/4 length or longer and may be gathered or narrow. The popular necklines are V neck, square, open, and collared, and may be combined in design. In Assuit, the galabeya bi wist may have originated as a Coptic Christian fashion, but this distinction is no longer upheld.
Delta galabiya bi sufra commonly have tapered, rather than straight sleeves, with some fullness at the upper arm and a cuff at the wrist. Horizontal tucks, pleats, gathers, and ruffles may also be added to the upper arm. In Sharqeyya, Gharbeyya, Qalyubeyya and Behera, sleeves also have three tucks running along the length of the sleeve. These traits may have been originally used to simulate the leg of mutton, or gigot, sleeve of the 1890s. Skirts are gathered and flared with ruffles and pintucks, and sometimes the skirt is trained. The train sweeps away the footprints and therefore can help defend against the evil eye; it also means that when bent over, the back of the leg is not exposed. In Gharbeyya, Qalyubeyya and Sharqeyya, the center front of the skirt has three vertical tucks along its whole length.The traditional dress of Kirdasa is a galabiya bi sufra and made of floral fabric with a beaded yoke, like that of Abu Rawwash. The fabric of the yoke is black. Beading has fallen out of use and dresses are typically brown, blue, or black. The malas dress was also worn there. The dress of Sharqeyya was similar to Kirdasa, sometimes with beading and sometimes without, but fell out of use decades ago. In the UAE, the jalabiya is a fashionable piece of clothing, wearing it with a matching headscarf is usually the attire worn. It usually comes with beautiful embroidery and crystals and be worn for casual days and even for special events. ==See also==