1958–1962: Early success Anderson's own recording career began in 1957 after he released two singles in the independent label TNT. Both songs (including his own version of "City Lights") attracted little attention, but the success brought by Ray Price's version of "City Lights" led Anderson to frequent
Nashville, Tennessee. In the city, he brought compositions for artists and producers to record.
Owen Bradley of
Decca Records was impressed by Anderson's writing, and decided to sign him to the label as a recording artist. Anderson officially signed with Decca in the summer of 1958. The song became a major hit the following year when it climbed to the number 12 position on the
Billboard Hot Country and Western Sides chart. He followed this in 1959 with the top-20 hits "
Ninety-Nine" and "
Dead or Alive". The song was later recorded and made hits individually by
Eddy Arnold,
Roy Clark,
Jean Shepard and
Steve Wariner. In 1961, the single "
Po' Folks" reached number nine on the
Billboard country songs chart. The success of "Po' Folks" led Anderson to receive an invitation to join the
Grand Ole Opry cast. Anderson accepted and joined the program the same year. This was followed by his first number-one hit, "
Mama Sang a Song". It was also his first single to chart on the
Billboard Hot 100, reaching number 89. Although successful, Anderson's early singles were not initially included on studio album releases.
1963–1976: "Still" and further career success By 1963, Anderson's recording career was expanding further. He toured frequently and made public appearances to promote his music. Anderson was inspired to write his 1963 composition, "
Still", after encountering an ex-girlfriend while promoting a song. The same night, he wrote the lyrics to the track on an
Underwood typewriter at three o'clock in the morning. "Still" became the biggest single of his recording career. It also became his second single to reach the
Billboard Hot 100, but was his first (and only) successful crossover hit there, reaching number eight in June 1963. The track was also his first single to become a hit on the
Billboard easy listening chart, reaching number three that June. The song's success led to the 1963 release of Anderson's
debut studio album of the same name. The LP reached number ten on the
Billboard country albums chart in January 1964 and the top 40 of the
Billboard 200 in late 1963. The success of "Still" further elevated Anderson's recording career. This included making national television appearances on shows such as
American Bandstand, where he performed his follow-up crossover hit "
8×10". He won awards from several major music publications, including
Billboard, Cashbox, and
Music Reporter. He scheduled more concert engagements and made as much as $500 per gig. His success led Decca to record and release studio albums with more frequency. These albums were also successful. His second studio LP,
Bill Anderson Sings (1964), reached the top 10 of the country albums chart. His
1966 studio release reached number one on the same chart. Album releases were fueled by further hit singles, including "
Bright Lights and Country Music", "
Five Little Fingers", and "
Three A.M." Kurt Wolff of the book
Country Music: The Rough Guide credited his success to a "fairly safe and suburban" musical style. ,'' 1970 His chart hits continued through the 1960s, and many of these songs were self-composed. His 1966 release, "
I Love You Drops", was inspired by the
Chuck Berry hit "
Memphis Tennessee". His next self-written release also became his third number-one hit, titled "
I Get the Fever". In 1968, the pair had their first major hit with the duet "
For Loving You". Both this, and the hit "
But You Know I Love You", were included on his
1969 studio album. He began diversifying his album releases during this period with the recording of a gospel LP,
I Can Do Nothing Alone, in 1967 and a holiday LP,
Christmas, in 1969. A greatest hits package, ''
Bill Anderson's Greatest Hits'', was also issued and it reached number six on the country albums survey. Anderson continued releasing regular country albums as well, outputting as much as three per year by the early 1970s. His country LP's often included a mix of original material and cover versions. On his 1971 release,
Always Remember, Greg Adams of
AllMusic commented that it "confounds expectations" for delivering original vocal performances of songs first cut by
Kris Kristofferson and
Kenny Rogers. A series of uninterrupted top ten hits followed his early 1970s albums. During this time frame, he had hits with "
Love Is a Sometimes Thing", "
Where Have All Our Heroes Gone", "
If You Can Live with It (I Can Live Without It)", and "
The Corner of My Life".
1977–1989: Countrypolitan shift and new changes By 1977, Anderson experienced several changes in his recording career. His longtime duet partner, Jan Howard, left his record label and road show, claiming that keeping up with the busy tour schedule had become too difficult. With Killen, Anderson's musical sound shifted from Nashville Sound ballads towards uptempo
countrypolitan tunes. and reached number 80 on the Hot 100. Its corresponding studio effort,
Love...& Other Sad Stories, reached number 37 on the
Billboard country albums list. Although successful at first, Anderson's late-1970s music received negative criticism from many writers. Author Kurt Wolff criticized his new image, commenting that his music "flirted dangerously with disco beats". Eugene Chadbourne of Allmusic only gave his
Love...& Other Sad Stories album 1.5 out of 5 stars. "This is an album that begins with what sounds like a pervert and ends with an effect described as frightening. Too bad most of it is so boring to listen to", Chadbourne concluded. Anderson's sales success began to decline following the release of "I Can't Wait Any Longer". His follow-up album,
Ladies Choice (1979), only reached number 44 on the country albums chart. The album's only major hit was the top-20 single "
This Is a Love Song". The album also spawned four singles that became minor hits on the country songs chart, including the title track. Four singles released from the album became minor country hits between 1984 and 1987. The album's title track was issued as a single, but did not chart in any
Billboard music publications. The single was reviewed by
Billboard in 1992, where it received comparisons to music by
Garth Brooks. In 1998, Anderson was signed to
Warner Bros. Records as part of a veterans artists project that included
Ronnie Milsap and
Connie Smith. That year, his 36th studio offering entitled
Fine Wine was released. The project was produced by
Steve Wariner and his wife Caryn. John Weisberger of
Country Standard Time gave the release a positive response, calling the songs "vintage". Meanwhile, Allmusic only gave it 2.5 out of 5 stars. He began taking new artistic directions with his next studio release,
A Lot of Things Different (2001). The album represented a traditional country style, which Anderson called his most traditional effort yet. It was released on
Varèse Sarabande, which Anderson distributed music through in conjunction with his own record label, TWI. '', 2006 Anderson's artistic directions continued expanding into the 2000s. After the release of another holiday album,
No Place Like Home on Christmas, he released a third gospel project in 2004,
Softly & Tenderly. A year later, he released a contemporary country album entitled
The Way I Feel. It included his own version of
Brad Paisley's "
Whiskey Lullaby", along with his own compositions. It was reviewed positively by Al Campbell, who praised its songwriting quality. In 2007, Anderson released his first collection of
bluegrass music called ''
Whisperin' Bluegrass.
Released on Madacy Entertainment, it included collaborations with Vince Gill and Dolly Parton. Chet Flippo of Country Music Television'' called it "a terrific album of country and gospel songs done up with bluegrass instrumentation". In 2010 and 2014, respectively, Anderson released two self-produced studio albums:
Songwriter and
Life!. In 2018, his 44th studio effort,
Anderson, was issued and featured a collaboration with
Jamey Johnson. He followed this with his 45th studio recording in 2020 called
The Hits Re-Imagined. The album was a collection of re-recorded hits and songs Anderson had written in his career.
Billboard gave the record a favorable review, which stated, "At 82, Anderson brings a gravitas to the heavier songs and a lightheartedness to tunes like "Po Folks" with a low-key production that keeps the focus squarely on Anderson and his delivery. Just as it should be". In June 2022, a compilation titled
The Best of Bill Anderson: As Far as I Can See was released by
MCA Nashville and included a new track featuring Dolly Parton. ==Songwriting career==