Jan Verhas

Jan Verhas was born in Dendermonde as the son of Emmanuel Verhas. His father was a painter who for twenty years was a teacher at the local Academy and also served as a director of that Academy. Jan received his initial art training from his father as did his older brother Frans). Just like Jan, his brother Frans became a successful artist. Verhas studied initially at the Academy of Fine Arts in his hometown Dendermonde and from 1853 onwards at the Royal Academy of Fine Arts of Antwerp. His teachers at the Antwerp Academy included Nicaise de Keyser and Jan Antoon Verschaeren. Nicaise de Keyser was a painter of mainly history paintings and portraits and one of the key figures in the Belgian Romantic-historical school of painting. Verhas' fellow students at the Academy included the Dutch painter Lawrence Alma-Tadema and Karel Ooms. Verhas struck up a life-long friendship with them. This meant he did not win the large stipend that came with the first prize. Still, the Belgian government awarded him a special subsidy of 1,200 francs and commissioned from him a composition depicting the Battle of Kallo. Here he made a living as a portrait artist and finished the composition of the Battle of Kallo in 1863. Verhas made a number of trips including to Berlin where he met Adolph Menzel and to Munich and London where he met up with his old friend Lawrence Alma-Tadema. Verhas regularly contributed works to the various Salons of his time. He won a second class medal in the Paris Salon of 1881 and gold medals at the Berlin exhibition of 1883 and the Exposition Universelle of 1889. Verhas received several official distinctions. The Belgian government made him an Officer in the Order of Leopold and the French government made him a Chevalier (Knight) in the Legion of Honour in 1881. ==Work==

Verhas was known for his genre paintings often involving children of the Belgian bourgeoisie. He painted portraits of persons from the political and artistic world. Jan Verhas commenced his career as a history painter in the Belgian Romantic style. In his later period he created coastal landscapes, beach scenes, and the occasional still life of flowers. He was also a fresco painter who painted a number of historical frescoes in the city hall of his hometown Dendermonde. His earliest works dealt with history subjects and were executed in the Romantic style which was then in vogue in Belgian academic circles. His most important work from this period is the Battle of Kallo of 1863 (City Hall of Kallo), in which he depicts a cavalry skirmish in a whirlwind of figures. After moving to Brussels, he gradually developed his own Realist approach to rendering scenes of everyday life with a humoristic touch. His favourite subject were children engaged in some innocent activity or mischief. The settings of these scenes were typically interiors of bourgeois residences, princely libraries and large terraces with rich decorations and opulent furniture and accessories. These works show a certain indebtedness to Alma-Tadema in the lines of the composition. In the artistic development of Verhas, The parade of the schools of 1878 in the presence of King Leopold II signified a move towards a clearer palette. In the final period of his artistic activity Verhas was inspired by his experiences during his lengthy stays at the Belgian coast. Here he not only observed the tourists but also the local people and customs. Working en plein air he created lively, sun-drenched scenes set on or near the beach. A representative work from this period is the Donkey ride on the beach, which shows a bourgeois family riding donkeys on the beach. The family members are all dressed in fine clothes while the donkeys are being led by local children in plain clothes. ==Notes==