Jandhyala was renowned primarily for his work in comedy, but his directorial portfolio spans several genres. Notable films beyond comedy include the drama
Nelavanka, the dance film
Ananda Bhairavi, and romance films such as
Amarajeevi and
Seetha Rama Kalyanam. Jandhyala had a distinct aversion to
ribald comedy and preferred using simple, natural dialogues. He believed that conversations in films should reflect realistic scenarios that audiences could easily relate to and enjoy. According to A. Saye Sekhar of
The Hindu, Jandhyala's comedic style involved "taking sensitive potshots at the doings of assorted nabobs, stuffed shirts in typical Telugu families, village footpads, miserable misers, secret polluters, tax evaders, preening lawyers, idiosyncratic doctors, oily accountants, defendants who got off too easily and celebrities who talked too much." As a screenwriter, Jandhyala was known for his versatility. He contributed to a wide range of films, from commercial blockbusters like
Adavi Ramudu and
Vetagadu to critically acclaimed works such as
Siri Siri Muvva and
Sankarabharanam. His versatility extended across genres including action (
Aakhari Poratam), fantasy (
Jagadeka Veerudu Athiloka Sundari), science fiction (
Aditya 369), and supernatural thrillers (
Govinda Govinda). His films also explored classical art forms, evident in
Siri Siri Muvva,
Sankarabharanam,
Sagara Sangamam, and
Swathi Kiranam. == Legacy ==