At 14, Ian wrote and recorded her first hit single, "
Society's Child (Baby I've Been Thinking)", about an
interracial romance forbidden by a girl's mother and frowned upon by her peers and teachers. Produced by
George "Shadow" Morton and released three times from 1965 to 1967, "Society's Child" became a national hit upon its third release after
Leonard Bernstein featured it in a late-April 1967 CBS TV special titled
Inside Pop: The Rock Revolution. Although Ian would later come out, she states that at the time of the encounter with Cosby she had only been kissed once, by a boy she had a crush on, in broad daylight at summer camp. On her website, Ian relates that although "Society's Child" was originally intended for
Atlantic Records and the label paid for her recording session, Atlantic subsequently returned the
master to her and quietly refused to release it. Ian relates that years later, Atlantic's president at the time,
Jerry Wexler, publicly apologized to her for this. The single and Ian's 1967 debut album (which reached No. 29 on the chart) was finally released on
Verve Forecast. In 2001, "Society's Child" was inducted into the
Grammy Hall of Fame, which honors recordings considered timeless and important to
music history. Her first four albums were released on a double CD entitled ''Society's Child: The Verve Recordings'' in 1995. in
Dublin, Ireland, May 1981 "Society's Child" stigmatized Ian as a
one-hit wonder until her most successful US single, "
At Seventeen", was released in 1975. "At Seventeen" is a bittersweet commentary on adolescent cruelty, the illusion of popularity and teenage angst, from the perspective of a narrator looking back on her earlier experience. The song was a major hit as it charted at number three on the
Billboard Hot 100, hit number one on the Adult Contemporary chart and won the 1976
Grammy Award for
Best Pop Vocal Performance - Female, beating
Linda Ronstadt,
Olivia Newton-John,
Judy Collins and
Helen Reddy. Ian appeared as the second musical guest on the series premiere of
Saturday Night Live on October 11, 1975, performing "At Seventeen" and "In the Winter". The album
Between the Lines was also a smash and reached number one on
Billboard′s album chart. The album would be certified
platinum for sales of over one million copies sold in the US. Another measure of her success is anecdotal: on
Valentine's Day 1977, Ian received 461 valentine cards, having indicated in the lyrics to "At Seventeen" that she never received one as a teenager. "Fly Too High" (1979), produced by
disco producer
Giorgio Moroder, was Ian's contribution to the soundtrack of the
Jodie Foster film
Foxes and was also featured on Ian's 1979 album
Night Rains. It also became another international hit, reaching number one in many countries, including South Africa, Belgium, Australia, Israel and the Netherlands, and going gold or platinum in those countries and others. Another country where Ian has achieved a high level of popularity is Japan: Ian had two Top 10 singles on the Japanese
Oricon charts, "Love Is Blind" in 1976 and "You Are Love" in 1980. Ian's 1976 album
Aftertones also topped Oricon's album chart in October 1976. "You Are Love (Toujours Gai Mon Cher)" is the theme song of
Kinji Fukasaku's 1980 movie
Virus. Ian cut several other singles specifically for the Japanese market, including 1998's "The Last Great Place". In the US, Ian did not chart in the Top 40 on the pop charts after "At Seventeen", though she had several songs reach the
Adult Contemporary singles chart through 1980 (all failing to make the Top 20). Ian started Rude Girl Records, Inc., and its publishing arm, Rude Girl Publishing, on January 2, 1992. Since then, RGR has steadily grown, with its ownership of more than twenty-five Janis Ian albums and DVDs overseas, as well as hundreds of unreleased recordings and videos, including unreleased songs, concerts, demos, and rehearsal tapes. The Rude Girl label oversees the production of Ian's newer work, and in the case of older work, its re-mastering and the re-creation of the original artwork. From 1982–92, Ian continued to write songs, often in collaboration with then songwriting partner
Kye Fleming, some of which have been covered by
Amy Grant,
Bette Midler,
Marti Jones and other artists. She released
Breaking Silence in 1993 and came out as a lesbian. Other artists have recorded Ian's compositions, including
Roberta Flack, who had a hit in 1973 with Ian's song "Jesse", which peaked at No. 30 on the
Billboard Hot 100 on October 27, 1973. In August 2018 Ian performed at the
UK's
Cambridge Folk Festival. ==Criticism of the RIAA==