Salavon is noted for his use of custom computer software to manipulate and reconfigure media and data to create new visual works of art. A significant body of Salavon's work involves two general means of manipulating preexisting media to create works of art: first, by overlaying images (such as multiple photographs) and averaging the result to create visual
amalgamations and, second, by distributing processed media (such as individual frames of a movie) side by side or in other configurations. An example of the first means is Salavon's 2004 suite of works,
100 Special Moments, which consists of images based on the average of groups of 100 unique commemorative photographs culled from the Internet. An example of the second method of production is his 2000 work,
The Top Grossing Film of All Time, 1 x 1, which is a static image showing all of the frames of the movie
Titanic reduced to the average color most representative of each frame. Salavon employed a similar method in his 2003 series
Emblem, reducing films such as
Stanley Kubrick's
2001: A Space Odyssey to a set of concentric rings of color representing each frame of the film. At one point in time, the
Google search results for the term "Playboy" placed Salavon's website in a higher position than
Playboy's own website. This was likely the result of extensive
blogosphere discussion about and linking to Salavon's website for his works
Every Playboy Centerfold, The Decades, amalgamations showing the decade-by-decade evolution of the "average" Playboy centerfold from the 1960s to the 1990s. In 2018 Salavon's work
Everything All at Once(Part III) was displayed in the Chicago New Media 1973-1992 exhibition, curated by jonCates. ==Collections==