Isabey was hired by the
Palace of Versailles to paint portraits of the dukes of
Angoulême and
Berry. He was commissioned by the
queen, the first of several commissions he was awarded by successive French rulers until his death in 1855. Patronized by
Josephine and
Napoleon Bonaparte, he arranged the ceremonies of their coronation and prepared drawings for the publication intended as its official commemoration. He was paid for this work by
Louis XVIII after the Restoration, and he also painted a portrait of Louis XVIII (engraved by
Philibert-Louis Debucourt), which was completed in 1814. Although Isabey did homage to Napoleon on his return from
Elba, he continued to enjoy the favour of the Restoration, and took part in arrangements for the
coronation of Charles X. The
July Monarchy conferred on him an important post in connection with the royal collections, and
Napoleon III granted him a pension, and the cross of commander of the
Legion of Honor.
Review of Troops by the First Consul was one of his most important compositions. Isabey's
Boat, which was engraved by
Charles Paul Landon, is a drawing of Isabey and his family. Produced at a time when Isabey was occupied with lithography,
Boat was a great success at the
Salon of 1820. His portrait,
Napoleon at Malmaison, is considered his best, and his tiny head of the king of Rome, painted for a breast-pin, is distinguished by decision and breadth. A biography of Isabey was published by Edmond Taigny in 1859.
Charles Lenormant's article, written for
Joseph-François Michaud's
Biographie Universelle, was based on facts furnished by Isabey's family. His son
Eugène Isabey also became a painter, known for his
Romantic seascapes. ==References==