A decision was taken by Royal Decree on 13 April 1817 to establish Tekenscholen (art schools) in as many cities as possible. The aim was to offer art education to young people as well as to craftsmen, particularly ‘in the drawing of the human image and in the basic rules of architecture.’ A silver medal and a degree certificate were issued to the most advanced pupils each year. The Stadsteekenschool was established in Maastricht in 1823 and later merged with the Burgeravondschool (Citizen Evening School) (1867-1921) and the Stadsteekeninstituut (City Art Institute) (1898-1926). These were located successively in the former
Latin school (Achter de Comedie 1), the
Augustijnenkerk, the
Cellebroedersklooster, and a school building on Herbenusstraat. The Stadsteekenschool was a small institute with no more than 100 students. Well-known students included the brothers Theodoor and Alexander Schaepkens, Felix Duchateau, and Jan Brabant.
Victor de Stuers, the later founder of the Dutch monumentenzorg (cultural heritage agency) followed art lessons here at a young age. The Stadsteekeninstituut started in 1898 with 159 students and offered a more practically-oriented study programme.
Rotterdam architect,
Jacobus van Gils, was the first head from 1898 to 1902. Anton van de Sandt succeeded him in 1903. Well-known lecturers from that time included painter Rob Graafland and sculptor Frans van der Laar. Both, but mainly Graafland, had a decisive influence on the development of fine arts in Limburg. The Stadsteekeninstituut merged with the Middelbare Kunstnijverheidsschool in 1926, with Jos Postmès being the first head. After his premature death in 1935, the extremely striking Jef Scheffers became head until 1972. Scheffers stimulated Ger Lataster and others to continue studying in Amsterdam. Well-known lecturers from that time included the
sculptors Charles Vos and
Albert Meertens, both of whom influenced post-war sculptors in particular Piet Killaars and Arthur Spronken. The Kunstnijverheidsschool taught the students in almost all art disciplines, from painting and graphics to glass art and theatre design, designing advertising letters, and even costume design. The lecturers at this time were somewhat more open to the influence of modern, especially French art (such as Bonnard and Matisse), but the study programme continued to focus mainly on the Maastricht pottery industry practice (decorative painting) and the production of church art commissions (religious paintings, sculptures, and stained-glass windows). The local glass factory, Astra, provided a studio and ovens for the glass art lessons. == Stadsacademie voor Toegepaste Kunsten ==