in
In a Lonely Place (1950) Donnell was signed to a contract by
Columbia Pictures while she was active with the Farragut Playhouse in New Hampshire, and she made her film debut in
My Sister Eileen (1942). She became a fixture at Columbia, working steadily in comedies, mysteries, westerns, and musicals for five years, and then off and on at the studio from 1950 to 1972. During the 1940s she was typically the house tomboy, a plain-speaking sidekick for the glamorous ingenue, and developed a flair for comedy. Columbia did give Donnell the glamour treatment later (in the 1946
Boston Blackie mystery
The Phantom Thief, in which she played a troubled heiress), but she never shook the sidekick image. When her Columbia contract ran out, she freelanced at other studios, mostly in low-budget action pictures. She returned to Columbia in 1950. She had met
Lucille Ball on the set of the 1948
RKO Radio Pictures production
Easy Living; Ball remembered Donnell and recruited her to play her sidekick in
The Fuller Brush Girl (1950). Donnell continued to play character roles in motion pictures and television; for three seasons, she portrayed
George Gobel's wife, Alice, in
The George Gobel Show (1954–1957) on NBC-TV. Many of her assignments were for Columbia (notably as Gidget's mother Dorothy Lawrence in
Gidget Goes Hawaiian and
Gidget Goes to Rome) and Columbia's TV subsidiary
Screen Gems (she played Hannah Marshall in the
Gidget television series, and portrayed Mrs. Bennett in the TV series
Julia). In 1966 she made five appearances on
Dr. Kildare as Evelyn Driscoll, and she played Ethel on the
Matt Helm TV series. Her last Columbia feature was the
women's lib-themed comedy
Stand Up and Be Counted (1972). Her final recurring role was as Stella Fields, the Quartermaines' housekeeper, in the popular
soap opera General Hospital, from 1979 to 1988. == Personal life ==