Laird worked with director
Alec Clunes at the
Arts Theatre Club during its heyday in the 1940s and 1950s. What the actor-manager sought for the little underground playhouse in London's Great Newport Street was an audience "eager for intelligent and entertaining plays". Laird's acting went from strength to strength in Farquhar, Ibsen, Chekhov, Shaw and other modern plays. While at the Arts Theatre, she periodically returned to "commercial" theatre, playing Rose in
The Recruiting Officer (1943) and Nora in ''
A Doll's House'' (1945). As Ellie, in the revival by Californian John Fernald (whom Laird married in 1947) of Shaw's
Heartbreak House (1950), she revealed, one critic wrote, "an enchanting combination of youth and firmness. Her broken heart never ceased to glint through her mask of ice". Her shapely legs and green eyes figured prominently in West End plays by
Ivor Novello,
N. C. Hunter and
Robert Morley. ==Writing==