In the original film, Jerry Dandrige has been variously interpreted as gay, bisexual, and metrosexual. Literary critic
John Kenneth Muir noted instances in the original film in which Dandrige and his human-slave protector are posed in potentially sexual positions. These include a scene in which Dandrige's male companion and daytime protector, Billy Cole, kneels before Dandrige. Cole is dressing a wound Dandrige has received on his right hand, but Muir found the position reminiscent of fellatio. Dandrige's speech to "Evil" Ed Thompson, in which Dandrige convinces Ed to become a vampire, is also cast in the language of homosexual seduction. Ed is placed in a physically submissive stance, and Dandrige speaks of Ed's outsider status in language that echoes the outsider status of homosexuals in the 1980s. Anthropologist Paul Clough and cultural critic Jon P. Mitchell characterized Dandrige as "beautiful but strange" and a man interested in seeking out relationships with young boys and young girls. Dandrige introduces Charley to homosexuality, bisexuality, and through his victims, prostitution. They called Dandrige's actions a metaphor for
sexually transmitted diseases in general and
HIV in particular. According to
Fright Night editor
Kent Beyda, writer-director
Tom Holland deliberately set out to insert homosexual imagery and themes into the film. He confirmed that the scene in which Cole goes to his knees in front of Dandrige was intended to evoke homosexuality as part of Holland's intent to explore every sexual aspect of the vampire myth. ==See also==