Tudor and Stuart jest books were typically anonymous collections of individual jests in English, a mix of verse and prose perhaps more comparable to the latter-day magazine than to a normal book. Some, however (following a German model), did attempt to link their jokes into a
picaresque sort of narrative around one, often
roguish hero, as with
Richard Tarlton. Jest books took a generally mocking tone, with civility, and social superiors like the 'stupid scholar' as favourite targets. The low-life, realistic tone of the jest book, akin to
coney-catching pamphlets, fed into the early English novels (or at least prose fiction) of writers like
Thomas Nashe and
Thomas Deloney. Jestbooks also contributed to popular stage entertainment, through such dramatists as
Marlowe and
Shakespeare. Playbooks and jestbooks were treated as forms of light entertainment, with jokes from the one being recycled in the other, and vice versa. Advances in printing meant that quantitatively jestbooks reached their greatest circulation in the 17th and 18th centuries; but qualitatively their contents was increasingly either a repetition of earlier publications or an artificial imitation of what had in the
Elizabethan jest book been a genuine folk content.
Bowdlerisation in the 19th century completed the fall of the English-language jest book from Elizabethan vitality to subsequent triviality. ==Parallel traditions==